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-Variable wah sweep and blend controls -gain boost makes for great solo/leads potential -quieter than conventional wahs -NOT AN AUTO-WAH! :) THE ORIGINAL! Get all the great cocked wah sounds without the wah pedal. No more trying to engage and find the sweet spot during a solo. Just dial it in, crank up the gain, and you're ready to lay down some sweet, squawky tone. What we have is a smooth sweeping wah with a single knob to set your pitch. A boost section has been added to give you more gain and power as needed. Balance these two features out with the Blend control, adjusting how much wah signal goes to output. Very cool for dialing in the cocked tone subtle enough to be left on all the time, or for just a bit of a frequency tweak. Full clockwise gives you the complete effect. The gain section is warm, loud, and gives a nice crunch to your amp's output. No need to try and hit a boost before hand, it's all there. Get the killer tones from the likes of Mick Ronson, Micheal Schenker, Slash, etc… Accept no substitutes. The Atomic Cocked has true bypass switching, and runs from a 9V - DC power supply with negative ground, minimum 200mA rating is suggested. "This is the one pedal I couldn't fkng live without" - Matt Pike ( High on Fire, Sleep) “Concerns...none. Innovative features...the blend circuit allows for unparalleled flexibility, the gain knob really helps focus harmonics. This pedal is quiet, easy to adjust on the fly, and provides tremendous tonal control. I love it, and yes it can help you achieve magical tones made famous by Schenker, Ronson, and Knopfler. More important, it can help you sculpt your own, unique sound...” - Dave V. “Tone monster. Amazing pedal. Great tone. It’s is everything you could ask for. And you do not have to fumble with the foot control.” - Troy T.

- 2 great circuits in one pedal, Fuzz & Octave -optional noise gate -independent use of either effect A Daredevil collaboration with legendary guitarist Earl Slick. Designed for maximum dynamic fuzz and octave control, this 2 in 1 features independent circuits with an optional noise gate control to keep things tight in between playing. This original design Fuzz keeps the controls simple... Volume and Gain control, with a depth tone stack to boost or attenuate the low end. CCW is vintage and bright with enough texture to cut through. Turn the depth knob to the right and listen to the bottom fatten up, bringing your tone right back to modern fuzz power. The Octave above circuit is stacked before the fuzz giving you the most the effect has to offer. Double stops turn into swirling, gnashing sonic feq-out. High end harmonic tones that stir up Hendrix-like sustain and singing sweet bite. This is an independent channel... stack it with your other favorite effects or use the Fuzz side on it's own. The options are limitless. Noise gate control can be increased turning clockwise, cutting out the background hiss in between playing... which can be helpful at high gain settings with the Octave engaged. Bypass the noise gate when using the gain or volume rolled back to keep all the subtleties intact. Currently this circuit has spent the last year as the main effect on Slick's board including the Experience Bowie tour which is still moving forward. Hit it with a tele (his main axe) or humbuckers, P90's, etc.. they all dial in great with this double edged sword... which is what the Daisho name translates to. Kanji artwork is taken from Earl's tattoo and developed by local legend and artist Casey Von Sass. True Bypass, runs on 9V neg ground external DC source. "The fuzz is very classic and articulate, though can get nasty with some knob twiddling. The octave up is so great with the fuzz though on its own can create some broken ring mod tones in certain spots on the neck. If you’ve ever reached out to Johnny then you already know you’re buying a high quality hand built product from a super nice guy." -D.G.

The DELUXE61 faithfully recreates the rich cleans, raunchy overdrive and dynamic, musical tremolo of the Fender® Brown Deluxe. Possibly the greatest amp of the early ‘60s. Featuring an all-analogue, valve amp-style signal path with an authentic bias tremolo circuit, the DELUXE61 brings a huge range of classic sounds to your pedalboard – with plenty of modern flexibility.

Jackson Audio is excited to announce the release of the NEW WAVE, a stereo, 100% analog chorus/vibrato pedal that uses real MN3007 BBD chips and a digital microprocessor for precise control, presets, and midi. The pedal has seven savable presets tailored for classic and modern Chorus, Vibrato, and Rotary sounds, including 70's, 80's, Rack, Vibrato, Rotary, Harmonic, and User Control. It offers five digitally controlled LFO wave shapes and unique phase control that allows for synchronizing or 180-degree phase shifting between the two LFOs. We had the pleasure of working with Grammy Winning Artist Mark Lettieri (Snarky Puppy) to create the ultimate chorus pedal. Please welcome a new way to NEW WAVE!

It’s still not your typical boost. Where the Eros was designed for playing drop-tuned extended range guitar into the muddiest of amps, the Hera is completely different. It’s designed to push any amp with more typical standard tunings. It’s much more transparent and the low-end is full, yet clear. It will boost clean without overdrive, add a little grit, or add distortion. It has a 3-band active EQ for precision sculpting. Use it in front to add volume or grit to a clean or crunch channel. Or, put it in the loop for some unique boosting and EQ response changes. Similarly, use it before or after the Ceres / Vesta for even more control over its tones, and in order to get the most out of it based on your power amp situation.

The Vesta™ contains a brand new set of voices along with a familiar feature set. Based on a couple of your favorite amps of the 80s and 90s, you’ll feel right at home. Picture a classic Crunch tone suitable for rock and blues, along with a familiar 90s high-gain sound. If modern extended range high-gain is your thing, the Ceres™ delivered. If you’re more at home on a 6 string, the Vesta™ may be your preference. It’s smooth, chunky, thick, and more low-mid focused. It takes boosts just like your favorite vintage high-gain amps. It responds incredibly well to the guitar’s volume control. Note: The Clean channel is identical to the Ceres’.