It is hard to believe that such small, unobtrusive microphones can produce such great sound, but it's true. Available in black or bright-white finishes, and with in-line or plate mount preamps, MX202 Microflex® Overhead condenser microphones capture high-quality sound in a compact, adjustable package. Each model features a choice of interchangeable cardioid, supercardioid, or mini-shotgun condenser microphone cartridges attached to a flexible, four inch gooseneck with a 30 foot cable.

Video conferencing and working from home are the new normal. Make sure you sound professional and are heard clearly during important pitches, presentations and proposals with the MV5C Home Office Microphone. The MV5C can be used with or without headphones. Simply plug it in with the supplied cables to a Mac or Windows computer and join your virtual meetings with the confidence that you sound just as good at home as you do in the boardroom. Compatible with third-party software conferencing platforms including Zoom and Microsoft Teams.

The ultra-compact MICROMON MA400 is the ideal personal monitor mixer for the performer who is always asking for “more me.” Featuring a flexible Mic In and Mic Thru connectors and Ground Lift switch, as well as stereo Monitor input with a dedicated Monitor Level control and Mono/Stereo switch, the MA400 has everything you need to satisfy even the most-demanding performer on stage.

Active Stereo DI Box with Extended Dynamic Range and Sum/Split Options

The ULTRADRIVE PRO DCX2496 is the answer to making your venue sound like it was tuned by the pros. Over the past years the DCX2496 has become an industry standard and several hundred thousand units have been employed in high-end touring as well as install applications. The DCX2496 is the perfect way to manage a multi-speaker sound system in any sized venue – from cinema to sanctuary to concert hall. Featuring 2 inputs, 6 outputs and 24-bit/96 kHz high-end AD/DA converters, this state-of-the-art processor will take your system to the next level and beyond.

High-Precision Stereo 2-Way/3-Way/Mono 4-Way Crossover with Limiters, Adjustable Time Delays and CD Horn Correction

Since its inception, the DXR Series has long signified a confluence of raw power and technological innovation that reliably harnesses and delivers impressively high output with superior quality and clarity. The DXR mkII Series powered loudspeakers are the newly upgraded models of the series that add even more SPL and feature a larger, yet much lighter 1.75” Neodymium HF compression driver for extremely clear voice reproduction and musicality. Once again our team worked in tight collaboration with touring loudspeaker specialists NEXO, adding crucial insight and expertise that led to design improvements based on the ever-evolving demands of sound reinforcement professionals.

Whether for fixed applications or mobile live performances - whatever direction you want to take your sound - the DXR mkII Series is up to the task, combining raw power with our own proprietary advanced DSP functions for all the reliability and outstanding clarity you’ve come to expect from the DXR Series… only MORE.

Shure has released the brand new MV7 microphone designed especially for podcasters, streamers and vocalists looking for convenient USB and XLR connectivity without compromising their audio. Clearly inspired by the SM7B, the MV7 has a whole set of cool features for content creators and musicians.

But which one is right for you?

First off, let’s get one thing straight: If you’ve been looking to move your audio game up to the big leagues with the SM7B for a while, you should still do just that. Nothing is going to replace that legendary sound, so save yourself some time and skip the rest of this post!

So why would someone opt instead for a shiny, new MV7? Well, there are plenty of reasons, actually, and we’ll try to make that as clear as possible right here. But we’d stress that these microphones really complement rather than compete against each other. For example, someone might use an MV7 for streaming from home and a trusty SM7B for studio recording. Or maybe your podcasting rig is already running an SM7B and you’ll want the MV7 for remote guests and recording on the road.

Key Differences

Naturally, there are a few key differences: Whereas the SM7B can be used on everything from rap and rock vocals to guitar cabs and drums, the MV7 has been optimized specifically for speech applications like podcasting and singing. That’s not to say you can’t record your acoustic guitar with it, but the MV7 emphasizes the midrange frequencies, where the clarity and intelligibility of speech lives. 

The SM7B, on the other hand, has significantly more low-end, which is where that signature broadcast sound comes from. It also has very wide and flat response, which is incredibly difficult to achieve in a dynamic microphone. There’s a good reason the SM7B has been called an SM57 on steroids…

The MV7 is also much smaller, lighter and convenient than the SM7B. Anyone seriously considering an SM7B will know that you’ll need a fairly beefy mic preamp offering at least 60 decibels of clean gain to get the sound the pros so love. The MV7 is therefore a more affordable solution for those looking to upgrade their setup without breaking the bank. The fact that the mic will “grow” with you when you’re ready to buy a quality interface is just the icing on the cake!

Two for One

What exactly does “grow” mean? For starters, the MV7 has two outputs: a standard XLR mic plug plus a convenient USB connection allowing you to plug it straight into your computer without an extra audio interface. The benefit here is clear: You can record high-quality audio with just a laptop and MV7 no matter where you are. But it still works with a standard audio rig requiring an XLR cable. (Pro tip: You can also use both the USB and XLR outputs at the same time!)

So even if you do decide to eventually upgrade your setup with an SM7B and proper interface, there’s no real downside to fear: You’ll already have a terrific second mic handy for podcast guests, streaming fun or expanded recording sessions.

Voice Isolation Technology

The MV7 – just like its big brother the SM7B – is a dynamic microphone designed to be focused solely on you. The mic’s impressive combination of cartridge, pick-up pattern and shock mount prevents any unwanted background or room noise from ruining your audio. This can be a real gamechanger for anyone recording or streaming in a space with poor acoustics. Finally, no more recording your podcast with a blanket over your head in the middle of a summer heatwave!

Auto Level Mode

Another great feature is the MV7’s Auto Level Mode, which allows users connecting via USB to have the microphone adjust the level of your voice on the fly to ensure a consistent output of your recording or stream. This will save valuable editing time in post-production and keep the volume consistent throughout – it’s like having a virtual engineer by your side!

We’ve also created desktop and mobile versions of the ShurePlus™ MOTIV app that let you access a whole slew of manual settings, including Mic Gain, Mic Mute, EQ, Monitor Mix, Limiter and Compressor. You can even set your own signature tone as Dark, Natural or Bright and save your favorite presets for another day. Get the app for free here.

Up Close and Personal – or Not

Maybe you’re a podcaster who likes to get up close to the microphone. Or are you a streamer who prefers a bit more breathing space? The MV7 can easily be tailored to your mic positioning needs by simply choosing between Near or Far mode.

Of course, with all the cool features for content creators, it’s easy to overlook what a great mic the MV7 is for musicians, too. Singers will love the ability to record vocal tracks in less-than-idea acoustic spaces and self-producers will prize its ability to segue from USB laptop sessions to XLR studio recording.

Total Control

It’s actually quite hard to fit everything the MV7 offers into one article, but it all comes down to having total control of your sound. Convenient touch panel? Check. Zero-latency headphone monitoring? Check.

It’s that combination of convenience, control and professional-quality audio that make the MV7 ideal for so many content creators and musicians out there. Of course, it won’t replace the legendary SM7B – but it certainly makes a great addition to the family.

6-Channel High-Power Headphones Mixing and Distribution Amplifier

Behringer BA 85A Dynamic Super Cardioid Handheld Microphone

The Behringer BA 19A is a condenser boundary microphone intended for instrument applications. With a frequency response of 50 Hz – 18 kHz and an impedance of 250 ohms, it’s a candidate for kick drums, piano, and other bass-heavy acoustic instruments. The BA 19A has a half cardioid polar pattern, which Behringer says reduces background noise and feedback. The boundary microphone features switchable filters for boosting the lows and high frequency attacks.

This useful and versatile steel microphone table stand ensures stability and functionality. Thanks to the user-friendly height adjustment and the comfortable swivel arm, the microphone can be adjusted quickly. Regardless of using the stand as a table stand for broadcast and conference support or as a floor stand for amplifiers, the flat stand base provides for comfortable and space saving use. Four elastic rubber feet ensure noise filtration.

Wall and ceiling bracket for speakers, adjustable, additional security by wire cable. Wall clearance 271 mm.

Wall mount for speaker boxes with 36 mm flange mounting. This design largely conceals the wall mounting with the speaker box. Very strong and sturdy design, intended for a max. load of 35 kg. The speaker distance from the wall can be individually adjusted in 4 positions.

Steel tube combination for 2 speakers, for tube diameter of 35 mm.

Connects to top of mic stands for holding 4 microphones or boom arms. 3/8" locking screws.

The flexible microphone bar for microphone stands. Two moveable bars position the microphone where ever you would like it. Each bar is fitted with a captive knurled screw. The entire bar can be screwed onto all standard microphone stands with a 3/8“ threaded connector.