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Lightweight and compact, the Fender Bass & Offset Mini Stand was designed with the bass and offset guitar player in mind and folds down to fit in most gig bags or cases. The stand features independently adjustable lower yoke arms to firmly hold your offset guitar or bass and a telescoping neck rest to provide adjustable support for bass guitars. Take it on the road or use it in your home and studio—the Fender Mini Stand is versatile enough to securely showcase your instrument in any performance situation.

The Corona, CA.-crafted American Performer Telecaster combines exceptional Fender tone and authentic feel with modern materials and player-oriented features designed to inspire while propelling your playing to new heights.

Your beverage will never be happier sitting on Fender® leather pick coasters. Inspired by our 351 Fender® picks this collectible 4-pack is the perfect accessory item for all of your furniture pieces. Make sure your guests don't accidentally walk away with these party favors!

  The 5A has long been the best-selling stick for all styles of music due to its well-balanced weight and length. It can be used for all styles of music. ProMark Classic Attack Drumsticks feature a weighted-forward design combined with dense Shira Kashi Oak to increase power at the playing surface. Available in various diameters. Shira Kashi Oak is a dense, heavy wood that provides a robust feel, increased attack, and exceptional durability, making it ideal for metal drummers. ProMark Classic oval wood tip provides a warm, full-bodied sound suitable for multiple applications The ProMatch process ensures unmatched consistency of weight and timbre between sticks and between pairs of sticks. All ProMark drumsticks are designed, developed, and manufactured in the USA.

Old Blood Noise is now offering a harmonic take on their Whitecap dual asynchronous tremolo as a full member of the OBNE roster. The Blackcap retains the analog tremolo side of the original and takes the highly functional digital tap side into the realm of harmonic tremolo. Where before it turned your volume up and down, now it crossfades between your highs and lows. Mixed in parallel or series with the amplitude modulating tremolo, it’s a new aural experience.

The Parallax offers the delay side of the legendary Caverns paired with unique Shoegaze inspired reverbs of the Realizer in one pedalboard friendly enclosure. On one side of the Parallax, analog-style modulated delays create a soft bed of warm repeats, while the other side builds Reverse setting-vibrato swirls (great for those who don’t have a vibrato arm on their guitar) to ambient modulations to form perfect pools of reverb reflection. When both sides are paired together, the Parallax offers the perfect end-of pedalboard solution for Shoegaze, Ambient, and Experimental tone seekers.

Heavy Gain, Soft Focus, Reverse, Cascading Octave Feedback, Tremolo Bar Strummed Reverb. A stoned, morning floaty, messed up, thrill machine is what it is. Washes of reverb in new ways you’ve not heard in a stomp box before and a fuzz that’s like a cigarette burn on your forearm. It rages.

Our Katana Clean Boost is back and better than ever! Redesigned while going back to our roots.We listened to what our players wanted and went back to our roots. The new Katana uses the original JFETs that made the original so special. We used the same component values from the original Katana, and updated the Boost mode to offer a more robust, clear sound, giving more clarity to bass notes when engaged. We updated the build with modern construction techniques to make this Katana the most dependable Clean Boost on the market, including an updated aluminium control knob, designed to be adjusted on the fly.

The new Hooke Spring Reverb from Keeley brings vintage tube-amp spring reverb and tremolo into one package. Bring your Blackface reverb and tremolo on the road with you without lugging around your prized possession! Choose from Classic Spring, Blackface Trem-n-Verb, or an organ-like Fugue-Verb.

Dreadbox TREMINATOR is based on the synthesizer’s last signal flow stage, called the VCA (Voltage Controlled Amplifier). Our development team took this simple circuit and adapted it to a really expressive effect pedal, which is combined with an LFO that is controlled by Envelope Generators.Forget everything you knew about tremolos and prepare to be amazed…

Dreadbox Raindrops is a Hybrid Delay/Pitch Shifter/Reverb pedal that takes the concept of short echos on a different level. It is equipped with multiple delay stages and different chips and you can choose between 3 different play modes, where in each one you can have a whole new experience and alternative soundscapes. You can achieve from simple short echos, to long, dirty and lo-fi delays and from simple pitch shifting bursts to extensively lasting reverbs.

Dreadbox DISORDER is a very aggressive fuzz pedal with a twist. It is equipped with a self-oscillating filter, that allows you to produce oscillating fuzz sounds. Additionally it has a low pass and high pass filter, that makes it suitable for guitar and bass as well. Finally an envelope follower is also present, allowing you to create wah wah sounds.  

Dreadbox DARKNESS is a Digital True Stereo Reverb effect pedal and it is a result of our collaboration with Sinevibes. By combining two exquisite Sinevibes Algorithms, Dreadbox team took this even further by extending the code and making these suitable for use as an effect pedal. Dreadbox favours open architecture in most of their devices, so instead of having several switched algorithms, DARKNESS has a single versatile and flexible formula, that can create from Small and Smooth Reflections up to Huge Shimmering and Endless Reverbs. Technically, DARKNESS is a Granular Pitch Shifter, followed by the famous large Reverb found on the Typhon synthesizer and ending up to a gate generator. In addition to this, there is also a micro looper that can hold up 150ms of the input signal, in order to create a freeze effect.

-Vintage style silicon fuzz -great for 60’s garage & psychedelia. Return of the classic. My take on the Stooges/Asheton fuzz tone, based on the Fuzzrite and heavily modded. here's the deal...That ear piercing treble is rolled off while retaining the raunchy 60'stransistor fight the original silicon versions were legendary for.This is the ideal pedal for trashy garage rock n roll, retro psych fuzz, and nasty dirt riffage. There is more depth to the tone, and there's some cool subtle octave harmonic stuff going on about halfway through the dirt control. A lot of time was spent sampling types of transistor pairings for these… small changes make a huge difference in this circuit. It’s very dynamic and holds strong definition without too much crazy fuzz washout…but still nasty and aggressive like you would expect from Daredevil.All hand wired in Chicago. True bypass, takes a battery or DC jack.

- 2 great circuits in one pedal, Fuzz & Octave -optional noise gate -independent use of either effect A Daredevil collaboration with legendary guitarist Earl Slick. Designed for maximum dynamic fuzz and octave control, this 2 in 1 features independent circuits with an optional noise gate control to keep things tight in between playing. This original design Fuzz keeps the controls simple... Volume and Gain control, with a depth tone stack to boost or attenuate the low end. CCW is vintage and bright with enough texture to cut through. Turn the depth knob to the right and listen to the bottom fatten up, bringing your tone right back to modern fuzz power. The Octave above circuit is stacked before the fuzz giving you the most the effect has to offer. Double stops turn into swirling, gnashing sonic feq-out. High end harmonic tones that stir up Hendrix-like sustain and singing sweet bite. This is an independent channel... stack it with your other favorite effects or use the Fuzz side on it's own. The options are limitless. Noise gate control can be increased turning clockwise, cutting out the background hiss in between playing... which can be helpful at high gain settings with the Octave engaged. Bypass the noise gate when using the gain or volume rolled back to keep all the subtleties intact. Currently this circuit has spent the last year as the main effect on Slick's board including the Experience Bowie tour which is still moving forward. Hit it with a tele (his main axe) or humbuckers, P90's, etc.. they all dial in great with this double edged sword... which is what the Daisho name translates to. Kanji artwork is taken from Earl's tattoo and developed by local legend and artist Casey Von Sass. True Bypass, runs on 9V neg ground external DC source. "The fuzz is very classic and articulate, though can get nasty with some knob twiddling. The octave up is so great with the fuzz though on its own can create some broken ring mod tones in certain spots on the neck. If you’ve ever reached out to Johnny then you already know you’re buying a high quality hand built product from a super nice guy." -D.G.

The Classic Vibe ‘60s Telecaster® Thinline is a nod to the early semi-hollow Tele models from the 1960s, creating incredible tone courtesy of the Fender-Designed alnico single-coil pickups. Player-friendly features include a slim, comfortable “C”-shaped neck profile with an easy-playing 9.5”-radius fingerboard and narrow-tall frets, as well as a vintage-style Telecaster bridge with a string-through-body design and individual steel saddles for precise adjustment. This throwback Squier model also features 1960s-inspired headstock markings, rich-looking nickel-plated hardware and a slick vintage-tint gloss neck finish for an old-school vibe.

The Classic Vibe ‘70s Telecaster® Thinline is a faithful nod to the 1970s evolution of the Tele®, creating massive tone courtesy of the semi-hollow body and dual Fender-Designed Wide Range humbucking pickups. Player-friendly features include a slim, comfortable “C”-shaped neck profile with an easy-playing 9.5”-radius fingerboard and narrow-tall frets, as well as a vintage-style Telecaster bridge with a string-through-body design and individual steel saddles for precise adjustment. This throwback Squier model also features 1970s-inspired headstock markings, rich-looking nickel-plated hardware and a slick vintage-tint gloss neck finish for an old-school vibe.