Hljóðfærahúsið

Based on a rare and elusive circuit, the MXR Sugar Drive provides a diverse range of clear and transparent overdrive tones, from sauced up boosting to blown-tube distortion.

Preamp for live and broadcast application FetHead Broadcast is an in-line microphone preamplifier specially designed for operating in challenging live environments. FetHead Broadcast offers 23dB of low noise high quality amplification which can be applied to either dynamic or condenser microphones as phantom power is transferred to the microphone

When inspiration hits, you need the voice to proclaim it.  When you need that voice, count on the Keeley Oxblood Overdrive to be your beast of burden. The Keeley Oxblood Overdrive is our response to everyone cloning the “Mythical Beast” pedal. We decided to build an original design. We wanted to build a new circuit that lets players blend from perfectly clean to amp-crushing roar.  We wanted that impossibly huge and focused midrange that makes any guitar–Strat, Paul, Tele–sound incredible.  We knew we could do it our way and offer you more tone.  So we designed this pedal over the course of a few days to outdo the old pedal.  I am confident we not only drew blood, we crafted a #killer. Clean, Distortion, Fuzz — It’s All There With the Oxblood Overdrive you roll off the Drive Control and get a perfectly clean sound; you can dial in any amount of distortion and volume to stomp an amp into pure tonal Nirvana.  The Keeley Oxblood Overdrive offers you two ways to clip and saturate your signal with overtones by selecting carefully chosen diodes. These are different than the standard Oxblood.  These diodes were chosen to give you bigger, more open amp tones without a lot of compression. The key to the ultimate overdrive, in our opinion, is the ability to control five different parameters. Bass response.  The Phat Switch cuts bass response to give you that classic Screamer or that mythic, K-like midrange shelving.  The bass response, when cut, is saturated with a hint of 2nd order harmonics.  Punchy and full yet not overbearing, it cuts like a buffalo. What can I say? Clipping.  Sometimes there just ain’t enough gain in the world.  Well, not so with this beast. The Clipping Switch gives you the ability to sing with near infinite sustain or just stand on your amp like a chief. Tone Control.  You need to be able to dial in the highs perfectly or nothing else matters, right?  The highs are what make it ear candy or ice picks.  Heck, we give you the range to do whatever the heck you want to do. And that’s a two-heck sentence. Volume.  You have to be able to put the pedal to the metal whenever you darn well chose.  Voltage doubling in our circuit gives you just that.  Headroom for days.  Slay an amp, leave it a bloody mess.  No, you won’t blow tubes, but you will have them at the right temperature to make them glow with delight. Drive.  What? You want me to describe Drive?  Shoot, from “Is it ON?” cleans to searing sustain and saturation.  It pushes you.  Compels you to play.  Non-stop playing…. Midrange.  Wait.  Didn’t I say 5?  Well, the 6th sign of a wonderful overdrive pedal is what’s under the hood.  It’s masterful creation of sultry mids.  The kind of mids singers or cellos are known for.  Throaty and powerful.  Not just a woman tone, but a manly roar.  Not congested and stuffed up.  Focused and brilliant. Trifecta The Keeley Oxblood Overdrive was designed by Robert Keeley and Craighton Hale with a lot of help and insight from Jack Orman.  Jack Orman has been a pioneer in the modern world of effects for 20 years.  His thoughts and ideas are incorporated by nearly every boutique builder out there.  Here is your chance to hear a brand new creation designed to outperform any of the clones.

The Lysis MKII is finally here! Is it a fuzz pedal, an octave, a sweeping filter, some kind of synth machine? YES!!

Just like hot cue pads on your DJ gear, Control One offers responsive performance triggers for automated light shows, color overrides, position overrides, strobe, and other customizable lighting effects. Compatibility with professional DJ platforms from Engine DJ, Serato DJ, and Virtual DJ makes it easy to integrate Control One into existing DJ setups.

Inspired by the unique complexities of running modulations in parallel, Old Blood Noise Endeavors unveils the Visitor Parallel Multi-Modulator. With three different primary modulation options (tremolo, chorus, and phaser) and two parallel secondary modulation options (tremolo and chorus), Visitor immediately inspires new sounds in a single pedal format. Further strangeness occurs with the delay offset of the secondary modulation and the interaction of the secondary rate and the primary depth.

The Classic 108 Fuzz features the guts of our BC-108-loaded Fuzz Face® Distortion with modern MXR upgrades and a Buffer switch so that it plays well with wahs. This pedal can be powered by a 9-volt battery, a Dunlop ECB003 9-volt adapter, or the DC Brick™, Iso-Brick™, and Mini Iso-Brick™ power supplies (not included).

The Keeley Neutrino V2 is an amazingly toneful and compact form of the classic opto-coupler envelope filter. The Neutrino takes your guitar playing and creates an automatic wah sound based on your pick attack! Envelope filters or auto-wahs as they are often called, sound and react best when they are opto-coupler based. The opto-couplers used in the Neutrino are particularly smooth, giving you an amazing vowel-like tone. The Keeley Neutrino gives you 3 filter ranges, 2 directions, 2 ranges for the frequency center and a Peak control. Keeley has engineered a power supply voltage-doubler so you maintain the highest headroom for your tone. An incredibly tough build means it will last for many decades to come. Whether you’re in a jam band or playing funk, the Keeley Neutrino V2 delivers incredible vocal-like tone.