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-Variable wah sweep and blend controls -gain boost makes for great solo/leads potential -quieter than conventional wahs -NOT AN AUTO-WAH! :) THE ORIGINAL! Get all the great cocked wah sounds without the wah pedal. No more trying to engage and find the sweet spot during a solo. Just dial it in, crank up the gain, and you're ready to lay down some sweet, squawky tone. What we have is a smooth sweeping wah with a single knob to set your pitch. A boost section has been added to give you more gain and power as needed. Balance these two features out with the Blend control, adjusting how much wah signal goes to output. Very cool for dialing in the cocked tone subtle enough to be left on all the time, or for just a bit of a frequency tweak. Full clockwise gives you the complete effect. The gain section is warm, loud, and gives a nice crunch to your amp's output. No need to try and hit a boost before hand, it's all there. Get the killer tones from the likes of Mick Ronson, Micheal Schenker, Slash, etc… Accept no substitutes. The Atomic Cocked has true bypass switching, and runs from a 9V - DC power supply with negative ground, minimum 200mA rating is suggested. "This is the one pedal I couldn't fkng live without" - Matt Pike ( High on Fire, Sleep) “Concerns...none. Innovative features...the blend circuit allows for unparalleled flexibility, the gain knob really helps focus harmonics. This pedal is quiet, easy to adjust on the fly, and provides tremendous tonal control. I love it, and yes it can help you achieve magical tones made famous by Schenker, Ronson, and Knopfler. More important, it can help you sculpt your own, unique sound...” - Dave V. “Tone monster. Amazing pedal. Great tone. It’s is everything you could ask for. And you do not have to fumble with the foot control.” - Troy T.

- 2 great circuits in one pedal, Fuzz & Octave -optional noise gate -independent use of either effect A Daredevil collaboration with legendary guitarist Earl Slick. Designed for maximum dynamic fuzz and octave control, this 2 in 1 features independent circuits with an optional noise gate control to keep things tight in between playing. This original design Fuzz keeps the controls simple... Volume and Gain control, with a depth tone stack to boost or attenuate the low end. CCW is vintage and bright with enough texture to cut through. Turn the depth knob to the right and listen to the bottom fatten up, bringing your tone right back to modern fuzz power. The Octave above circuit is stacked before the fuzz giving you the most the effect has to offer. Double stops turn into swirling, gnashing sonic feq-out. High end harmonic tones that stir up Hendrix-like sustain and singing sweet bite. This is an independent channel... stack it with your other favorite effects or use the Fuzz side on it's own. The options are limitless. Noise gate control can be increased turning clockwise, cutting out the background hiss in between playing... which can be helpful at high gain settings with the Octave engaged. Bypass the noise gate when using the gain or volume rolled back to keep all the subtleties intact. Currently this circuit has spent the last year as the main effect on Slick's board including the Experience Bowie tour which is still moving forward. Hit it with a tele (his main axe) or humbuckers, P90's, etc.. they all dial in great with this double edged sword... which is what the Daisho name translates to. Kanji artwork is taken from Earl's tattoo and developed by local legend and artist Casey Von Sass. True Bypass, runs on 9V neg ground external DC source. "The fuzz is very classic and articulate, though can get nasty with some knob twiddling. The octave up is so great with the fuzz though on its own can create some broken ring mod tones in certain spots on the neck. If you’ve ever reached out to Johnny then you already know you’re buying a high quality hand built product from a super nice guy." -D.G.

-Vintage style silicon fuzz -great for 60’s garage & psychedelia. Return of the classic. My take on the Stooges/Asheton fuzz tone, based on the Fuzzrite and heavily modded. here's the deal...That ear piercing treble is rolled off while retaining the raunchy 60'stransistor fight the original silicon versions were legendary for.This is the ideal pedal for trashy garage rock n roll, retro psych fuzz, and nasty dirt riffage. There is more depth to the tone, and there's some cool subtle octave harmonic stuff going on about halfway through the dirt control. A lot of time was spent sampling types of transistor pairings for these… small changes make a huge difference in this circuit. It’s very dynamic and holds strong definition without too much crazy fuzz washout…but still nasty and aggressive like you would expect from Daredevil.All hand wired in Chicago. True bypass, takes a battery or DC jack.

The DELUXE61 faithfully recreates the rich cleans, raunchy overdrive and dynamic, musical tremolo of the Fender® Brown Deluxe. Possibly the greatest amp of the early ‘60s. Featuring an all-analogue, valve amp-style signal path with an authentic bias tremolo circuit, the DELUXE61 brings a huge range of classic sounds to your pedalboard – with plenty of modern flexibility.

The BASSRIG ’64 Black Panel is, quite simply, a complete vintage bass amp in a pedal. Based on Fender®’s Showman® and Bassman® amplifiers, we have used all-analogue circuitry to recreate a complete valve amp-style signal path, along with an all-analogue cabinet simulator, giving you the drive, grit and articulation of these classic amps in one small box. Back in the days before modern bass amps, achieving high stage volumes with bass guitar was a challenge that required powerful, clean amps. Nobody fills this niche quite like Fender®. Their high-powered amps – designed with guitar and bass in mind – graced countless stages and studios throughout the 1960s. The Showman®, with its 2×15 cabinets, and the later Bassman® models boast an illustrious list of users between them, including Sir Paul McCartney, Crazy Horse’s Billy Talbot and our own personal favourite, Berry Oakley of The Allman Brothers. In fact, a whole host of Fenders can be heard amplifying the bass on some of the greatest Soul and Rock ‘n’ Roll records of the ‘60s. At Origin Effects, we believe that this boundary-pushing era has given us some of history’s best bass tones. With XLR and ¼” outputs, the BASSRIG ’64 Black Panel will fit seamlessly into any signal chain, no matter how simple or complex, and our powerful Amp Out EQ tailors your sound to work with any amp, meaning you never have to compromise your clean tone.

The Halcyon Green Overdrive is a classic low-gain drive pedal featuring our proprietary Adaptive circuitry. This unique design allows it to adapt its voicing in response to pick attack and volume changes, making it one of the most dynamic and interactive overdrives out there. While it is based on the same green pedal that has inspired countless clones, this little box goes way beyond what the average overdrive has to offer. We based this pedal on the Ibanez® Tube Screamer® for a reason. Its mid-forward voicing, low-gain drive and a touch of clean signal make it a great choice for pushing an amp, allowing players to jump out of the mix with a thick solo tone. However, once you turn down your guitar volume or play softly, that mid-pushed drive tone can become a thin, nasal clean tone. It’s this all-or-nothing nature of classic drives that has us stacking numerous pedals for various shades of saturation. The Adaptive circuitry in the Halcyon Green Overdrive is our solution to this problem, with all the magic of a vintage TS808 on tap, but a responsiveness that is usually only found in the best valve amplifiers. A whole new level of playability for lovers of classic pedal tones.

The M-EQ DRIVER is a Mid Booster & Drive pedal, based on a vintage Pultec® studio EQ. Still sought after today, these legendary passive EQs from the 1950s can be heard on thousands of hit records thanks to their highly musical, versatile EQ curves and the ability to overdrive their push-pull output stage. Rather than making an exact replica, we have chosen to reimagine this classic piece of studio gear as a guitar-oriented, compact pedal. Craft the perfect mid boost, add some studio-inspired saturation or push the pedal’s valve-like output stage into fierce “cocked wah” distortion. With the addition of our Adaptive Circuitry, the M-EQ DRIVER is always responsive and precise, with a character all of its own.