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  The 5A has long been the best-selling stick for all styles of music due to its well-balanced weight and length. It can be used for all styles of music. ProMark Classic Attack Drumsticks feature a weighted-forward design combined with dense Shira Kashi Oak to increase power at the playing surface. Available in various diameters. Shira Kashi Oak is a dense, heavy wood that provides a robust feel, increased attack, and exceptional durability, making it ideal for metal drummers. ProMark Classic oval wood tip provides a warm, full-bodied sound suitable for multiple applications The ProMatch process ensures unmatched consistency of weight and timbre between sticks and between pairs of sticks. All ProMark drumsticks are designed, developed, and manufactured in the USA.

Old Blood Noise is now offering a harmonic take on their Whitecap dual asynchronous tremolo as a full member of the OBNE roster. The Blackcap retains the analog tremolo side of the original and takes the highly functional digital tap side into the realm of harmonic tremolo. Where before it turned your volume up and down, now it crossfades between your highs and lows. Mixed in parallel or series with the amplitude modulating tremolo, it’s a new aural experience.

The Parallax offers the delay side of the legendary Caverns paired with unique Shoegaze inspired reverbs of the Realizer in one pedalboard friendly enclosure. On one side of the Parallax, analog-style modulated delays create a soft bed of warm repeats, while the other side builds Reverse setting-vibrato swirls (great for those who don’t have a vibrato arm on their guitar) to ambient modulations to form perfect pools of reverb reflection. When both sides are paired together, the Parallax offers the perfect end-of pedalboard solution for Shoegaze, Ambient, and Experimental tone seekers.

Heavy Gain, Soft Focus, Reverse, Cascading Octave Feedback, Tremolo Bar Strummed Reverb. A stoned, morning floaty, messed up, thrill machine is what it is. Washes of reverb in new ways you’ve not heard in a stomp box before and a fuzz that’s like a cigarette burn on your forearm. It rages.

Our Katana Clean Boost is back and better than ever! Redesigned while going back to our roots.We listened to what our players wanted and went back to our roots. The new Katana uses the original JFETs that made the original so special. We used the same component values from the original Katana, and updated the Boost mode to offer a more robust, clear sound, giving more clarity to bass notes when engaged. We updated the build with modern construction techniques to make this Katana the most dependable Clean Boost on the market, including an updated aluminium control knob, designed to be adjusted on the fly.

The new HYDRA is a high fidelity and true stereo Reverb and Tremolo. Designed to be the perfect end to ANY pedalboard, regardless of genre. Save up to 3 presets and dive deep into the HYDRA’s potential using our Alt Control feature. The Hydra features on-board or remote tap-tempo, you can swap the order of the Tremolo and Reverb, expression pedal control, Infinite Hold Reverb trails and so much more!

The new Hooke Spring Reverb from Keeley brings vintage tube-amp spring reverb and tremolo into one package. Bring your Blackface reverb and tremolo on the road with you without lugging around your prized possession! Choose from Classic Spring, Blackface Trem-n-Verb, or an organ-like Fugue-Verb.

In 1963, history was made with the release of the Silvertone Twin Twelve Amplifier. Originally listed in the sears catalog as the 1484, the Twin Twelve was offered from 1963 to 1967 and became the most coveted of all the Silvertone amplifiers. The unique sound of this amplifier proudly powers the tones of many of today’s best rock icons such as Jack White, Dave Grohl, Beck, Billie Joe Armstrong (Green Day), Dan Auerbach (The Black Keys) and many more.Today Jackson Audio and Silvertone make history again with the introduction of the 1484 Twin Twelve Pedal.An exact recreation of the legendary Twin Twelve amplifier, the 1484 Twin Twelve Pedal can be used as a studio-grade preamp, booster, EQ or overdrive depending on how the controls are set.Bring back the classic Silvertone clean and overdriven tones and own the tone of legends. Relive history with the 1484 Twin Twelve Pedal.

Dreadbox TREMINATOR is based on the synthesizer’s last signal flow stage, called the VCA (Voltage Controlled Amplifier). Our development team took this simple circuit and adapted it to a really expressive effect pedal, which is combined with an LFO that is controlled by Envelope Generators.Forget everything you knew about tremolos and prepare to be amazed…

Dreadbox Raindrops is a Hybrid Delay/Pitch Shifter/Reverb pedal that takes the concept of short echos on a different level. It is equipped with multiple delay stages and different chips and you can choose between 3 different play modes, where in each one you can have a whole new experience and alternative soundscapes. You can achieve from simple short echos, to long, dirty and lo-fi delays and from simple pitch shifting bursts to extensively lasting reverbs.

Dreadbox DISORDER is a very aggressive fuzz pedal with a twist. It is equipped with a self-oscillating filter, that allows you to produce oscillating fuzz sounds. Additionally it has a low pass and high pass filter, that makes it suitable for guitar and bass as well. Finally an envelope follower is also present, allowing you to create wah wah sounds.  

Dreadbox DARKNESS is a Digital True Stereo Reverb effect pedal and it is a result of our collaboration with Sinevibes. By combining two exquisite Sinevibes Algorithms, Dreadbox team took this even further by extending the code and making these suitable for use as an effect pedal. Dreadbox favours open architecture in most of their devices, so instead of having several switched algorithms, DARKNESS has a single versatile and flexible formula, that can create from Small and Smooth Reflections up to Huge Shimmering and Endless Reverbs. Technically, DARKNESS is a Granular Pitch Shifter, followed by the famous large Reverb found on the Typhon synthesizer and ending up to a gate generator. In addition to this, there is also a micro looper that can hold up 150ms of the input signal, in order to create a freeze effect.

-Vintage style silicon fuzz -great for 60’s garage & psychedelia. Return of the classic. My take on the Stooges/Asheton fuzz tone, based on the Fuzzrite and heavily modded. here's the deal...That ear piercing treble is rolled off while retaining the raunchy 60'stransistor fight the original silicon versions were legendary for.This is the ideal pedal for trashy garage rock n roll, retro psych fuzz, and nasty dirt riffage. There is more depth to the tone, and there's some cool subtle octave harmonic stuff going on about halfway through the dirt control. A lot of time was spent sampling types of transistor pairings for these… small changes make a huge difference in this circuit. It’s very dynamic and holds strong definition without too much crazy fuzz washout…but still nasty and aggressive like you would expect from Daredevil.All hand wired in Chicago. True bypass, takes a battery or DC jack.

- 2 great circuits in one pedal, Fuzz & Octave -optional noise gate -independent use of either effect A Daredevil collaboration with legendary guitarist Earl Slick. Designed for maximum dynamic fuzz and octave control, this 2 in 1 features independent circuits with an optional noise gate control to keep things tight in between playing. This original design Fuzz keeps the controls simple... Volume and Gain control, with a depth tone stack to boost or attenuate the low end. CCW is vintage and bright with enough texture to cut through. Turn the depth knob to the right and listen to the bottom fatten up, bringing your tone right back to modern fuzz power. The Octave above circuit is stacked before the fuzz giving you the most the effect has to offer. Double stops turn into swirling, gnashing sonic feq-out. High end harmonic tones that stir up Hendrix-like sustain and singing sweet bite. This is an independent channel... stack it with your other favorite effects or use the Fuzz side on it's own. The options are limitless. Noise gate control can be increased turning clockwise, cutting out the background hiss in between playing... which can be helpful at high gain settings with the Octave engaged. Bypass the noise gate when using the gain or volume rolled back to keep all the subtleties intact. Currently this circuit has spent the last year as the main effect on Slick's board including the Experience Bowie tour which is still moving forward. Hit it with a tele (his main axe) or humbuckers, P90's, etc.. they all dial in great with this double edged sword... which is what the Daisho name translates to. Kanji artwork is taken from Earl's tattoo and developed by local legend and artist Casey Von Sass. True Bypass, runs on 9V neg ground external DC source. "The fuzz is very classic and articulate, though can get nasty with some knob twiddling. The octave up is so great with the fuzz though on its own can create some broken ring mod tones in certain spots on the neck. If you’ve ever reached out to Johnny then you already know you’re buying a high quality hand built product from a super nice guy." -D.G.

-Variable wah sweep and blend controls -gain boost makes for great solo/leads potential -quieter than conventional wahs -NOT AN AUTO-WAH! :) THE ORIGINAL! Get all the great cocked wah sounds without the wah pedal. No more trying to engage and find the sweet spot during a solo. Just dial it in, crank up the gain, and you're ready to lay down some sweet, squawky tone. What we have is a smooth sweeping wah with a single knob to set your pitch. A boost section has been added to give you more gain and power as needed. Balance these two features out with the Blend control, adjusting how much wah signal goes to output. Very cool for dialing in the cocked tone subtle enough to be left on all the time, or for just a bit of a frequency tweak. Full clockwise gives you the complete effect. The gain section is warm, loud, and gives a nice crunch to your amp's output. No need to try and hit a boost before hand, it's all there. Get the killer tones from the likes of Mick Ronson, Micheal Schenker, Slash, etc… Accept no substitutes. The Atomic Cocked has true bypass switching, and runs from a 9V - DC power supply with negative ground, minimum 200mA rating is suggested. "This is the one pedal I couldn't fkng live without" - Matt Pike ( High on Fire, Sleep) “Concerns...none. Innovative features...the blend circuit allows for unparalleled flexibility, the gain knob really helps focus harmonics. This pedal is quiet, easy to adjust on the fly, and provides tremendous tonal control. I love it, and yes it can help you achieve magical tones made famous by Schenker, Ronson, and Knopfler. More important, it can help you sculpt your own, unique sound...” - Dave V. “Tone monster. Amazing pedal. Great tone. It’s is everything you could ask for. And you do not have to fumble with the foot control.” - Troy T.

 perennial favorite among discerning pianists, the Yamaha U1 offers outstanding musical performance, setting the standards by which many other upright pianos are measured. Silencing system has been added to this U1. This is an SH3 type SILENT Piano™. SILENT piano™s are genuine acoustic pianos equipped with Yamaha’s advanced silencing technology. When the keys are played in SILENT Mode, the hammers are stopped immediately before striking the strings so that the piano itself generates no sound. Sensors installed below the keys decipher how the keys are played and relay the data to the digital tone generator, which generates sampled sounds that can be heard through a pair of headphones. By allowing players to play a true acoustic piano sound under normal circumstances, or to put on headphones and play in SILENT Mode to avoid disturbing others, SILENT Piano™ makes any time a good time to sit down at the piano.

Recording Custom Brass Snare Drums   Overview Features Audio & Video Specs   Design/Architecture Detail Shells Thickness Material Strainers Butt Side Release Side Head Bottom Batter Snare wire Regular Bundled Snare bed Lug Center bead Hoop Bearing Edge Diameter Depth                 RRS1465   RRS1365   RRS1455 Design/Architecture Detail Shells Thickness 1.2mm 1.2mm 1.2mm Material Brass Brass Brass Strainers Butt Side DC3 type DC3 type DC3 type Release Side Q type Q type Q type Head Bottom REMO: Snare Ambassador REMO: Snare Ambassador REMO: Snare Ambassador Batter REMO: Coated Ambassador REMO: Coated Ambassador REMO: Coated Ambassador Snare wire Regular 25 strand 20 strand 20 strand Bundled - - SG type, 10 strand Snare bed 2.4mm 2.4mm 2.4mm Lug Newly designed One-piece Lug Newly designed One-piece Lug Newly designed One-piece Lug Center bead Outward Outward Outward Hoop 2.3mm Dyna Hoop 2.3mm Dyna Hoop 2.3mm Dyna Hoop Bearing Edge 45° 45° 45° Diameter 14" 13" 14" Depth 6.5" 6.5" 5.5"

Combining high-end sound and wide-ranging versatility, the RV-6 takes pedal-based reverb to the next level. Reaching beyond the capabilities of previous generations, this powerful stomp employs the latest tech and legendary BOSS know-how to make it easy to get amazing reverb tones instantly. From subtle rooms to modern shimmer effects to long, evocative reverbs, the RV-6 envelops your tone in lush ambient spaces that endlessly inspire.

ATEM Mini switchers make it easy to create professional multi camera productions for live streaming to YouTube and innovative business presentations using Zoom, Teams or Skype! Simply connect ATEM Mini and you can switch live up to 8 high quality video camera inputs for dramatically better quality images. Or connect a computer for PowerPoint slides or gaming consoles. The built in DVE allows exciting picture in picture effects, perfect for commentary! There are loads of video effects too! ATEM Mini has a built in hardware streaming engine for live streaming via ethernet, or stream via the USB which also works like a webcam. ATEM Mini even has secret broadcast features for high end work!