Svaka Tilboð

Jackson Audio is excited to announce the release of the NEW WAVE, a stereo, 100% analog chorus/vibrato pedal that uses real MN3007 BBD chips and a digital microprocessor for precise control, presets, and midi. The pedal has seven savable presets tailored for classic and modern Chorus, Vibrato, and Rotary sounds, including 70's, 80's, Rack, Vibrato, Rotary, Harmonic, and User Control. It offers five digitally controlled LFO wave shapes and unique phase control that allows for synchronizing or 180-degree phase shifting between the two LFOs. We had the pleasure of working with Grammy Winning Artist Mark Lettieri (Snarky Puppy) to create the ultimate chorus pedal. Please welcome a new way to NEW WAVE!

- 2 great circuits in one pedal, Fuzz & Octave -optional noise gate -independent use of either effect A Daredevil collaboration with legendary guitarist Earl Slick. Designed for maximum dynamic fuzz and octave control, this 2 in 1 features independent circuits with an optional noise gate control to keep things tight in between playing. This original design Fuzz keeps the controls simple... Volume and Gain control, with a depth tone stack to boost or attenuate the low end. CCW is vintage and bright with enough texture to cut through. Turn the depth knob to the right and listen to the bottom fatten up, bringing your tone right back to modern fuzz power. The Octave above circuit is stacked before the fuzz giving you the most the effect has to offer. Double stops turn into swirling, gnashing sonic feq-out. High end harmonic tones that stir up Hendrix-like sustain and singing sweet bite. This is an independent channel... stack it with your other favorite effects or use the Fuzz side on it's own. The options are limitless. Noise gate control can be increased turning clockwise, cutting out the background hiss in between playing... which can be helpful at high gain settings with the Octave engaged. Bypass the noise gate when using the gain or volume rolled back to keep all the subtleties intact. Currently this circuit has spent the last year as the main effect on Slick's board including the Experience Bowie tour which is still moving forward. Hit it with a tele (his main axe) or humbuckers, P90's, etc.. they all dial in great with this double edged sword... which is what the Daisho name translates to. Kanji artwork is taken from Earl's tattoo and developed by local legend and artist Casey Von Sass. True Bypass, runs on 9V neg ground external DC source. "The fuzz is very classic and articulate, though can get nasty with some knob twiddling. The octave up is so great with the fuzz though on its own can create some broken ring mod tones in certain spots on the neck. If you’ve ever reached out to Johnny then you already know you’re buying a high quality hand built product from a super nice guy." -D.G.

-Variable wah sweep and blend controls -gain boost makes for great solo/leads potential -quieter than conventional wahs -NOT AN AUTO-WAH! :) THE ORIGINAL! Get all the great cocked wah sounds without the wah pedal. No more trying to engage and find the sweet spot during a solo. Just dial it in, crank up the gain, and you're ready to lay down some sweet, squawky tone. What we have is a smooth sweeping wah with a single knob to set your pitch. A boost section has been added to give you more gain and power as needed. Balance these two features out with the Blend control, adjusting how much wah signal goes to output. Very cool for dialing in the cocked tone subtle enough to be left on all the time, or for just a bit of a frequency tweak. Full clockwise gives you the complete effect. The gain section is warm, loud, and gives a nice crunch to your amp's output. No need to try and hit a boost before hand, it's all there. Get the killer tones from the likes of Mick Ronson, Micheal Schenker, Slash, etc… Accept no substitutes. The Atomic Cocked has true bypass switching, and runs from a 9V - DC power supply with negative ground, minimum 200mA rating is suggested. "This is the one pedal I couldn't fkng live without" - Matt Pike ( High on Fire, Sleep) “Concerns...none. Innovative features...the blend circuit allows for unparalleled flexibility, the gain knob really helps focus harmonics. This pedal is quiet, easy to adjust on the fly, and provides tremendous tonal control. I love it, and yes it can help you achieve magical tones made famous by Schenker, Ronson, and Knopfler. More important, it can help you sculpt your own, unique sound...” - Dave V. “Tone monster. Amazing pedal. Great tone. It’s is everything you could ask for. And you do not have to fumble with the foot control.” - Troy T.

The Warm Audio Warmdrive is a true reproduction of the most sought-after "amp-in-a-box" pedal of all time, delivering the tones of a truly unattainable overdriven amp. Both guitar heroes and modern virtuosos like SRV, Eric Clapton, Robben Ford, John Mayer, Santana, and Cory Wong are known to have used either the original amplifier or the pedal inspired by it. With an artist roster like that, it’s no wonder that original vintage pedals are talked about amongst the most demanding and discerning chasers of tone. Staying true to the legacy, the Warmdrive delivers all the tones of the original pedal and amplifier that inspired it.

The Keeley Neutrino V2 is an amazingly toneful and compact form of the classic opto-coupler envelope filter. The Neutrino takes your guitar playing and creates an automatic wah sound based on your pick attack! Envelope filters or auto-wahs as they are often called, sound and react best when they are opto-coupler based. The opto-couplers used in the Neutrino are particularly smooth, giving you an amazing vowel-like tone. The Keeley Neutrino gives you 3 filter ranges, 2 directions, 2 ranges for the frequency center and a Peak control. Keeley has engineered a power supply voltage-doubler so you maintain the highest headroom for your tone. An incredibly tough build means it will last for many decades to come. Whether you’re in a jam band or playing funk, the Keeley Neutrino V2 delivers incredible vocal-like tone.

If there’s one pedal that captures the history of sonic rebellion and the soul of classic rock, then the Fuzz Face is it. Bold and raunchy when fed power chords, velvety smooth and angelically soaring when presented with lead lines and with an almost too-good-to-be-true volume knob cleanup, which allows for the best clean tones you’ve ever heard, the Fuzz Face is truly a multi-faceted tonal treasure. Jimi Hendrix, Eric Johnson, Stevie Ray Vaughan and Pete Townsend all carved their undying legacy with this iconic fuzz machine and with our If 6 Was 9 MKII, you can instantly tap into those legendary tones or go far beyond to discover your own saturated signature sound.

The Classic 108 Fuzz features the guts of our BC-108-loaded Fuzz Face® Distortion with modern MXR upgrades and a Buffer switch so that it plays well with wahs. This pedal can be powered by a 9-volt battery, a Dunlop ECB003 9-volt adapter, or the DC Brick™, Iso-Brick™, and Mini Iso-Brick™ power supplies (not included).

Inspired by the unique complexities of running modulations in parallel, Old Blood Noise Endeavors unveils the Visitor Parallel Multi-Modulator. With three different primary modulation options (tremolo, chorus, and phaser) and two parallel secondary modulation options (tremolo and chorus), Visitor immediately inspires new sounds in a single pedal format. Further strangeness occurs with the delay offset of the secondary modulation and the interaction of the secondary rate and the primary depth.

Welcome to the new SolidGoldFX EM-III Multi-Head Octave Echo; the smallest, most powerful and by far the most versatile SolidGoldFX delay pedal to date. Building on SGFX’s Electroman Delay legacy, the EM-III manages to both echo the past, present and future. With EM-III’s wide-ranging yet ultra-intuitive control set, placing warm analog-voiced echoes, precise and modern delays, as well as experimental and futuristic sound designs, are all just a single stomp away.  Main Features List Multi-Head Tape Delay pedal, with Octave and Modulation 70 to 1000 milliseconds delay time with Tap Tempo Color Knob - for crisp and bright tape echo to murky lo-fi analog repeats Warp feature - for instant self-oscillation Wall-of-Sound Swells Glitch feature - replicates snapping tape sounds Switchable True Bypass/ Buffered Trails modes Top-mounted jacks - for ease of pedalboard mounting Hand-made in Montreal, Canada Powered by a regular 9V DC PSU (centre -, 2,1 mm, ~70 mA current draw)  At your feet (or fingers) you have a multi-head tape style echo, with the ability to add in a signal an octave lower to the primary delay head. This can result in dancing, rhythmic delays with body and gravitas, as well as bold washy soundscapes. These two core features are controlled via a single mini-toggle. Flick it left to select between 1, 2 or 3 delay heads or flick it right to toggle the octave effect on and off. From there, just set your Delay Level, Repeats and Time via the knobs or tap in your preferred tempo via the soft-click tap tempo switch and let the good echo times roll. The EM-III also sports delay modulation introduced via the Flutter control. Keep it at center position for no modulation. Dial it left for a slow and dreamy chorus-like modulation or right for a faster vibrato, letting you create lush oceanic movement, tape-style crinkles, eerie tension and beautiful dissonance. The color knob allows you to engage both high-pass and low-pass filtering. Dead-center you have a pristine full-frequency digital delay. Dial it to the left and you cut the highs, creating warm, murky analog-esque repeats. Dial it to the right and you suck out the lows for crisp and bright tape-style repeats or super thin lo-fi delays. The EM-III also brings interactive warp and glitch features to the tonal table by pressing and holding either Tap, Bypass or both at the same time. Hold Tap to increase the repeats until self-oscillation, creating a swelling wall of sound. Hold Bypass to replicate the sound of a tape motor on the fritz and a tape reel snapping, or hold both for glorious noise seances that will act as the perfect song/set closer. Additional features include soft-touch, relay based, true bypass switching with the option of buffered trails, top jacks and up to a full second of delay time. The EM-III is designed to inspire and evoke emotion. It can sound as pretty and cheerful or as dark and macabre as you wish. We invite you to tune up, plug in and immerse yourself in the EM-III experience.

The Meris Mercury7 Reverb Pedal is an algorithmic DSP reverb in a pedalboard friendly design. FEATURES: Handcrafted Algorithmic Reverbs Analog Mix & Dry Signal Path Intra-Tank Pitch Regeneration High & Low Frequency Damping Extensive Modulation Capability Auto Swell Envelope (variable and foot-switchable) Stereo input and output Switchable input output headroom level for Guitar, Synthesizer or Line levels Expression pedal control over all parameters simultaneously Presets available via external 4-Preset switch or MIDI MIDI in/out over TRS via the EXP jack Premium analog signal path and 24-bit AD/DA w/32 bit floating point DSP Premium Analog Devices JFET input section Designed and Built in Los Angeles, California U.S.A. SPECIFICATIONS: Premium quality 24 bit A/D and D/A 32 Bit floating point DSP hardware -115 dB Signal to Noise Ratio (typical) Premium low noise Analog signal path throughout Analog Devices JFET input circuitry Wet/Dry signal mix occurs in the Analog domain Selectable True Bypass (Relay) or Analog Buffered Bypass 150 mA total power consumption Durable transparent blue powder coat over brushed aluminum Power supply not included

When inspiration hits, you need the voice to proclaim it.  When you need that voice, count on the Keeley Oxblood Overdrive to be your beast of burden. The Keeley Oxblood Overdrive is our response to everyone cloning the “Mythical Beast” pedal. We decided to build an original design. We wanted to build a new circuit that lets players blend from perfectly clean to amp-crushing roar.  We wanted that impossibly huge and focused midrange that makes any guitar–Strat, Paul, Tele–sound incredible.  We knew we could do it our way and offer you more tone.  So we designed this pedal over the course of a few days to outdo the old pedal.  I am confident we not only drew blood, we crafted a #killer. Clean, Distortion, Fuzz — It’s All There With the Oxblood Overdrive you roll off the Drive Control and get a perfectly clean sound; you can dial in any amount of distortion and volume to stomp an amp into pure tonal Nirvana.  The Keeley Oxblood Overdrive offers you two ways to clip and saturate your signal with overtones by selecting carefully chosen diodes. These are different than the standard Oxblood.  These diodes were chosen to give you bigger, more open amp tones without a lot of compression. The key to the ultimate overdrive, in our opinion, is the ability to control five different parameters. Bass response.  The Phat Switch cuts bass response to give you that classic Screamer or that mythic, K-like midrange shelving.  The bass response, when cut, is saturated with a hint of 2nd order harmonics.  Punchy and full yet not overbearing, it cuts like a buffalo. What can I say? Clipping.  Sometimes there just ain’t enough gain in the world.  Well, not so with this beast. The Clipping Switch gives you the ability to sing with near infinite sustain or just stand on your amp like a chief. Tone Control.  You need to be able to dial in the highs perfectly or nothing else matters, right?  The highs are what make it ear candy or ice picks.  Heck, we give you the range to do whatever the heck you want to do. And that’s a two-heck sentence. Volume.  You have to be able to put the pedal to the metal whenever you darn well chose.  Voltage doubling in our circuit gives you just that.  Headroom for days.  Slay an amp, leave it a bloody mess.  No, you won’t blow tubes, but you will have them at the right temperature to make them glow with delight. Drive.  What? You want me to describe Drive?  Shoot, from “Is it ON?” cleans to searing sustain and saturation.  It pushes you.  Compels you to play.  Non-stop playing…. Midrange.  Wait.  Didn’t I say 5?  Well, the 6th sign of a wonderful overdrive pedal is what’s under the hood.  It’s masterful creation of sultry mids.  The kind of mids singers or cellos are known for.  Throaty and powerful.  Not just a woman tone, but a manly roar.  Not congested and stuffed up.  Focused and brilliant. Trifecta The Keeley Oxblood Overdrive was designed by Robert Keeley and Craighton Hale with a lot of help and insight from Jack Orman.  Jack Orman has been a pioneer in the modern world of effects for 20 years.  His thoughts and ideas are incorporated by nearly every boutique builder out there.  Here is your chance to hear a brand new creation designed to outperform any of the clones.