Keeley Hooke Reverb

Classic Spring Reverb

The Hooke Spring Reverb begins with a Spring Reverb mode. The main features of this mode include the Tone and Spring controls. The Tone control allows you to work within the range of bright and spanky to dark and thick. The Spring control is the amount “looseness” or “Sproing!” in the reverb pan. Loose springs seem to generate a lot of reflections, and you can hear the reverb “bounce.” With the Hooke, you can simulate a specific reverb pan of a vintage amp, two-springs, three-springs, short, medium, long decay … it’s all in there. What’s more, combinations of these two controls allow you to fine-tune the tone and the character of the springs and tubes in order to dial in your favorite vintage reverb response. The depth and warmth of the Hooke reverb is simply remarkable. It’s one of our finest creations.

Blackface Trem-n-Verb

Trem-n-verb is designed to give you the ultimate Fullerton, CA black panel Vibrato channel reverb. Everyone knows that it’s not really (pitch) vibrato, it’s tremolo. We carefully EQ’d and filtered the sound to not only be tube-like, but we crafted a tonal modification that makes for a deep, throbbing tremolo. By adjusting the bias of the output tubes for the volume tremolo, you also dip the volume of the reverb. We created a special recipe in which the reverb washes over the tremolo texture just a little thickened in order to craft a tone that is truly magical.

Fugue, an Organ Reverb

The Hooke Reverb needed something crazy, something that just didn’t exist. We started playing with shimmer-springs, octave down and sprung, and all sorts of other coiled manifestations of things springy and coily when it hit us. The problem was we could hear the original guitar part. Ah, yes, all wet. All wet is where magic can happen. No original signal, all wet spring reverb with octave up and down. Church Organ, Organ Reverb, Fugue It! Get Hooked and Go Fugue!

Spring Reverb: It’s all about that pan, that pan.

Spring for More!

Three More Reverb Patches!

Want more from your Keeley Reverb? Take the back plate off your Hooke Spring Reverb and change the Bank Switch to Bank 2. Now you have three more spring reverb patches!

Long Decay Trem-n-Verb – Same as in Bank 1, but set up for single coil guitars and super long decay/reverb trails. If you want a huge springy mess of reverb and you have some spaghetti logo guitar for making surf music … yeah, this is it. Spring’s up, dude!

Spring-Plate – Another Keeley Original. After a YouTube commentator wrote, oh man no plate reverb? I said, Beeeeetch! I got your plate reverb! How about this, I said: Cross Fade between Spring Reverb and Plate Reverb. And that’s just exactly what it does. Dial in 25% spring reverb and 75% plate, dial in 50/50, dial in your own perfection. This is like taking your tube amp with spring reverb into the studio and then the producer adds plate reverb. Classic. Happens all the time. Well, now you can do it anywhere with the Keeley Hooke Spring Reverb. Thank you.

Vibro-Spring – What if a Blackface and Magnatone amp had a love child? Yeah, a pitch vibrato spring reverb. Something that would have been right up Lonnie Mack’s alley? Well, it’s in there too. The Fugue Mode becomes what I call the Mack Mode. Mack Mode was inspired by Eddie Heinzleman’s love of Lonnie Mack. I texted Eddie about this possibility and in a few seconds I had YouTube links to Wham and Satisfy Suzie. Yup, Vibrato and Reverb. Sounds Delish. Mack ‘n’ Cheese! Wait, wrong page… Mack Mode! Spring Reverb with Pitch Vibrato.

After you’re done ordering the Hooke Spring Reverb, stop by Eddie’s page please. He’s an amazing player. Eddie Heinzelman. Or on Facebook.

Fender Santa Ana Overdrive V2

Santa Ana V2 is a JFET-based class-A overdrive pedal running at 18V internally — a design that provides the touch sensitivity and high-headroom drive that players expect from a Fender tube amp pushed hard and then some. At its heart, this dual-voice drive circuit sports three straightforward controls and a Voice switch to push your guitar from natural-sounding tight overdrive (voice A) to smooth, thick lead tones (voice B). The Drive and Tone controls provide a wide range to dial in just the right flavor of gain and treble presence in the drive signal, while the rear-mounted Tight switch pulls some pre-drive bass frequencies out for an even more focused feeling drive. To further sculpt the frequency response of your drive, a standalone, independently switchable 3-band EQ circuit is built around the Santa Ana V2 drive engine. Active Bass, Middle, and Treble controls offer a wide range of adjustment, cutting or boosting each frequency range with a center detent to mark flat response. Determine exactly how the EQ circuit interacts by using the EQ Placement switch to stack the EQ before or after the drive: Pre-drive EQ flavors the overdrive’s response by determining which frequencies are clipped most by the drive circuit; post-drive EQ lets your guitar hit the drive head on and shapes the resulting gain tones for a more dramatic EQ effect. With a fine-tuned JFET drive engine, independent EQ circuit, conveniently switchable buffered and true bypass modes, and multiswitch enabled footswitches for momentary and latching activation, the Santa Ana V2 is an ultra-flexible, intuitive overdrive with tons of tones on tap.

Samtals m/vsk

29.990 kr.

Á lager

Fender Pugilist Distortion V2

The Pugilist V2 is a distortion pedal like no other, wielding dual independent distortion engines packed inside one chassis to crank out a wealth of thick tones. Each distortion engine can be turned on separately using its designated footswitch and dialed in using its own Gain, Tone and Level controls. This provides two distinctively flavored distortion voices, with Engine A delivering treble-rich lead drive tones and Engine B laying on thick, heavier distortion. The real magic of Pugilist V2 is in the Path switch, which runs the two distortion engines through three different signal paths as they push each other into harmonically rich saturation. The two Series Modes send one circuit into the other for stacking drive tones that can be layered like amp channels, using the footswitches to kick into the next level of cascading distortion. Parallel Mode delivers deep tone-shaping by running the two engines side by side to be blended and balanced using the level controls to create the perfect meld of articulate, chunky distortion. Featuring global Mid Cut and Bass Boost switches, conveniently switchable buffered and true bypass modes, and multiswitch enabled footswitches for momentary and latching activation, these ever-sparring distortion circuits knock out huge distortion tones with modern conveniences fit for any board.

Samtals m/vsk

29.990 kr.

Á lager

Fender Pelt Fuzz V2

The Pelt V2 is a pro-level fuzz pedal with a classic spirit. Built around silicon transistors and a buffer-friendly input stage, it packs all the fuzzed-out tones a saturation-lover could ask for — from full, biting octave fuzz to smooth, harmonically rich walls of gain. Beyond traditional Fuzz, Tone and Level controls, the Pelt V2 takes saturation shaping to the next level with Sag and Bloom controls to fine tune exactly how your signal breaks and splatters into furry, gain-ladened madness. Use the Mids and Thick switches to deliver extra EQ shaping for mid and bass frequency presence to instantly push into new characters of fuzz. The Octave (Chaos) footswitch takes this fuzz into all-new territory by adding a traditional octave-up effect or, with Chaos engaged, an asymmetrical octave effect for glitchy, sputtering artifacts and unpredictable tonal chaos. To top it off, this buffer and bass friendly pedal features a Blend control that enables mixing of fuzz and clean tones (perfect for bass) or blending fuzz with the drive tone of pedals before it in your signal chain. Featuring conveniently switchable buffered and true bypass modes, multiswitch enabled footswitches for momentary and latching activation, and a world of tone-shaping tools for dialing in the exact fuzz you’re after, the Pelt V2 is the ultimate way to add a gloriously wooly coat to your tone.

Samtals m/vsk

29.990 kr.

Á lager

Fender Bends Compressor V2

An intuitive compressor/boost combo offering low-noise compression in both modern and vintage tube flavors, the Bends V2 is ideal for guitar and bass alike. Utilizing a unique take on OTA technology for real-time gain control, this compressor reacts to your playing dynamics smoothly and naturally to balance the volume of louder and quieter sections while adding sustain and thickness to your notes. The Bends V2 simplifies compression to three clearly labeled controls — a three-speed Attack switch, a fine-tuned Release control, and an Input control which sets the input level of the compression trigger. An active Tone control with a center detent cuts or boost treble to make up for any lost sparkle, and the Blend control injects clean into the mix to provide the perfect balance of clean dynamics and compression. A rear-mounted Vintage switch provides the real secret sauce, reshaping the circuit from a crisp, surgical action to a beautifully colored smooth compression with a hint of natural saturation when engaged. Combine boost and compression for some real magic. The Comp Pre/Post switch rearranges the internal circuit to reorder the independent ultra-clean boost and compression. Place the boost before compression for soaring Nashville-style sustain or stack the boost after your signal is compressed and kick it on for a solo boost to increase the overall output level into your next effects. Featuring an independent boost circuit, switchable buffered and true bypass modes, and multiswitch enabled footswitches for momentary and latching activation, the Bends V2 is a fully featured compressor that brings natural feeling dynamic control to any instrument.

Samtals m/vsk

29.990 kr.

Á lager