Taylor Vorið

For players seeking the rich, sophisticated acoustic tone and bold projection that comes with an all-solid-wood guitar, there may be no better value than the Taylor 314ce Studio. Now the lowest-priced gateway to the solid-wood experience in the Taylor line, this Grand Auditorium acoustic-electric combines back and sides of sapele with a torrefied spruce top, adding up to a punchy midrange response with a clear, woody character and an added dash of warmth and sweetness from our special roasting recipe. Inside, our V-Class bracing dials up more volume, longer sustain and improved harmony all the way up the neck. This model also features comfort-enhancing chamfered body edges and a slightly narrower fretboard of 1-11/16 inches, offering a hand-friendly feel that makes fretting a breeze regardless of your skill level. Finished off with a full-body gloss, nickel hardware and a faux tortoiseshell pickguard, the 314ce Studio includes ES2 electronics for faithful plugged-in tone and a structured gig bag.

50th Anniversary 414ce Special Edition Typically reserved for our highest-end guitars, the rosewood/redwood tonewood pairing joins our family 400 Series guitars for the first time in the 50th Anniversary 414ce Special Edition. Solid Indian rosewood back and sides and a sinker redwood top in a cutaway Grand Auditorium body serve up a blend of rich lows, sparkling chime-like trebles and lush overtones. Overview Indian rosewood body yields warmth and lush overtones Sinker redwood offers incredible warmth and headroom Versatile Grand Auditorium body with all-purpose tone V-Class bracing adds power and sustain Includes deluxe hardshell case and ES2 electronics

All-solid sapele and spruce for rich midrange tone Grand Concert body offers comfort and articulation Slim neck and shorter scale makes fretting easier V-Class bracing dials up volume and sustain Features an ES2 pickup and deluxe hardshell case

The all-new 724ce launches a new era for the Taylor 700 Series, introducing Select-grade Hawaiian koa to this popular family of acoustic guitars. This Grand Auditorium boasts back, sides and top of solid Hawaiian koa selected for its visual beauty as well as its punchy, lively musical response. You’ll hear a bold attack with an energetic tone profile that yields crisp trebles, a rich midrange and a low end that grows in over time. The super-thin matte finish makes for a raw feel and aesthetic that’s complemented by mother-of-pearl Fountain inlays, rosewood binding, a paua shell rosette and a dark-stained maple pickguard. It includes the ES2 acoustic pickup and a deluxe hardshell guitar case for storage and protection.

At the vanguard of our newly revoiced Grand Orchestra body shape, the 618e establishes a new style of bold, powerful acoustic tone within the Taylor line. Solid maple back and sides lend this big-bodied powerhouse a focused, transparent sound that adapts and reflects the style of the player, while a solid Sitka spruce top adds brilliance and clarity. The transformative introduction of V-Class bracing into the Grand Orchestra body offers players a more robust, vivid tonal response, with greater volume and sustain alongside heightened clarity and musicality that make this model even more player-reflective and a versatile choice for musicians across styles. The touch-sensitive response balances out serious headroom and projection so that players can explore a wide dynamic range without losing balance or fading out of a mix. Appointments for this 600 Series model include maple binding with koa purfling, a single-ring paua rosette, mother-of-pearl Mission inlays, and a gloss finish treated with an Antique Blonde finish for the top, back and sides. To preserve the traditional look and feel of this jumbo-style guitar, we’ve chosen to build it without a cutaway. The 618e ships with ES2 electronics in a deluxe Western Floral hardshell case.

Part of Taylor’s inaugural class of Grand Pacific guitars, the Builder’s Edition 717 builds on a long tradition of rosewood/spruce dreadnoughts but breaks new ground with an entirely new Taylor sound. The round-shoulder dreadnought shape, featuring Taylor’s award-winning V-Class bracing, produces warm, seasoned acoustic tone in which individual notes overlap and blend smoothly together, while the low-end power common among dreadnoughts boasts greater clarity here. V-Class brings extra punch and sustain, along with improved intonation and musicality across the entire frequency spectrum. Together with rosewood’s harmonic complexity and the played-in sound of the torrefied spruce top, players can expect rich, luxurious tonal character from top to bottom. It’s a voice comfortably rooted in a traditional sound, yet updated to offer more expressive musical range. As a Builder’s Edition model, the 717 also sports an array of premium, player-friendly features: chamfered body edges, rolled fretboard edges, and a new compound-carve neck profile, whose contours match the natural adjustments in the player’s hand position when moving up and down the fretboard. Even the bridge design was refined to add a more ergonomic feel for the player’s pick hand. Taylor’s noise-reducing Silent Satin finish displays the muted sheen of an older guitar, while elegantly understated appointments include mother-of-pearl Arrowhead fretboard and peghead inlays, with sapele binding. It all adds up to a Taylor like you’ve never seen, heard or felt before. Highlights Scale Length 25-1/2" Nut & Saddle Black Graphite, Micarta saddle Bracing V-Class Truss Rod Cover West African Crelicam Ebony Pickguard None Number of Frets 20 Tuners Taylor Nickel Case Taylor Deluxe Hardshell-Western Floral Brand of Strings Elixir Phosphor Bronze Medium Body Length 20” Body Width 16” Body Depth 4 5/8" Body Binding/Edge Treatment Sapele Top Finish Silent Satin Back Config 2-piece No Wedge Backstrap Finish None Rosette Size Single Ring Bridge Inlay None Back/Side Finish Silent Satin Armrest Binding None Backstrap Wood None Rosette Mat. Black Sapele/Maple Stain/Sunburst None Wedge None Armrest no Neck Neck Width 1-3/4" Fretboard Inlay Arrowheads, Mother of Pearl Fretboard Binding/Edge Treatment West African Crelicam Ebony Heel Cap Binding West African Crelicam Ebony Type of Neck Joint Scarf Neck/Heel Tropical Mahogany Fretboard Wood West African Crelicam Ebony Neck Finish Satin Heel Length 3-1/2" Peghead Peghead Finish Satin Peghead Binding None Peghead Type Standard Peghead Purfling None Headstock Overlay West African Crelicam Ebony Peghead Inlay Arrowheads, Mother of Pearl Peghead Logo Taylor Mother of Pearl Other Bridge Pins West African Crelicam Ebony Buttons Nickel Fingerboard Ext None Edge Trim None