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The EBS BassIQ produces sounds ranging from classic auto-wah effects to spaced out ”Funkadelic” and synth-bass sounds. It is for everyone looking for a fun, fat sounding and responsive envelope filter that reacts to how you play in a musical way.

Q, Threshold & Attack-controls

The Threshold and Attack control knobs set the sensitivity of how the pedal responds to your playing. The sensitivity is the key to create a great variety of sounds from synth-bass, to wah-effects or sub-bass. A separate control changes the Q value to create even more variation in the sound character. The higher the Q value, the sharper the effect. All sounds are depending on how you set the Q value in conjunction with Threshold and Attack.

Up, Up-R & Down-modes

In the Up mode, the pedal responds with a wah effect. Turn the Q knob all the way up to get distinct ‘quacky’ wah sounds (like the HiQ mode of the old BassIQ). Turn the Q knob back for a more mellow effect. To get a sub-bass sound, use the UP mode and turn Threshold all the way down and Attack all the way up. In the Down mode, you will achieve various types of synth bass sounds. The UP-R mode works like UP but also interacts with an internal control that changes the range of the envelope effect.

Pass filters

The three different types of pass filters, Full Range, Band Pass, and Low Pass, offer three variations of your sound at any time. Find a sound setting you like, and then try the different pass filter options, and each of them will change the character of the sound.

Internal controls

Trim pots are found inside to set the Gain output level of the pedal, a High Pass mix-in trim pot sets the level of high frequencies from the bypassed tone to mix in with the effect. A third trim pot decides the Range of the envelope effect in the pedals UP-R mode setting. Use these options carefully to tailor the pedal's response to match your personal needs perfectly.

The EBS Bass IQ Blue Label replaces the previous Bass IQ model from now on. The new pedal also has a 12% reduced footprint.

KMA Machines STEREO HEADPHONE AMP

Freedom to create… wherever and whenever! Creativity is an actual superpower… Seriously! If you don’t think that pulling music from thin air simply by moving your hands across frets and strings, keys or even hitting things in time isn’t overpowered magic, then we don’t know what to say anymore. You’re a sonic superhero (deal with it!) and therefore gear should never become your kryptonite and hinder your creativity. It should allow you to express yourself freely exactly when needed. This is why we made the STEREO HEADPHONE AMP – a simple, compact and great-sounding dual headphone amplifier with AUX in, Bluetooth, pass-thru as well as Stereo Ins and Outs. Meaning you can practice, explore and create in full ear-gasmic stereo. This new little box in KMA’s utility line will add high-quality headphone monitoring to any rig, wherever and whenever you want it.

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IK Tonex One Brown Sound Red Edition

This custom TONEX ONE delivers the amazing tones of the TONEX Brown Sound Signature Collections directly to your pedalboard. Picture performing with the rich tones from those classic albums as part of your stage setup. There’s no easier way than with TONEX ONE. Available in three colors, these ultra-compact pedals fit anywhere on your board and come pre-loaded with 20 carefully created presets using Tone Models from all three Brown Sound collections. Each pedal unlocks the Brown Sound 78/79 collection along with your choice of one other Brown Sound Signature Collection (a $/€199.98 software value).

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IK Tonex Bass Edition Silver

TONEX Pedal Bass Edition comes preloaded with 150 bass-optimized Tone Models and presets, ranging from vintage tube tones to modern, high-fidelity punch. Presets are grouped into 50 banks, each based around a legendary bass amp and offering three Tone Model options per bank. 15 onboard effects are available to enhance or customize any Tone Model, providing players with an unlimited variety of potential tones for songs of any genre.

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