An exciting new entry into the world of acoustic-electric guitars, the GTe Urban Ash debuts a new body shape that’s sure to inspire players of all skill levels with its compact frame, accommodating feel, and robust acoustic voice. The GT (Grand Theater) features a scaled-down body that echoes the jumbo curves of our Grand Orchestra shape, with its dimensions reduced to create a remarkably approachable feel. The innovation extends to the GT’s interior architecture, built on a new asymmetrical bracing design called C-Class bracing. This new sonic structure brings the tonal benefits of V-Class bracing to the smaller GT body shape, producing more volume and longer sustain while also bolstering the GT’s bass response to surprising levels of low-end power from a smaller guitar. This model takes its name from the solid Urban Ash that composes its back and sides, which serve up a rich, shimmering midrange accented by pristine highs. Visually, the GT is appointed with modest details such as a three-ring koa rosette and Pinnacle inlays in Italian acrylic, preserving its accessible price point and clean aesthetic. A super-thin, water-based matte finish, paired with an Urban Sienna stain for the back and sides, reflects a dusky, alluring visual character, preserving the wood’s visual texture and allowing the player to feel the grain through the finish. Onboard ES2 electronics provide quick plug-and-play functionality when you need amplified sound. This model includes a sturdy, lightweight AeroCase™ for easy, safe transport.
Explore your individual creativity with the bold looks and inspiring sound of the Newporter Player. Featuring a solid spruce top, mahogany back and sides, and 6-in-line headstock, the mid-sized Newporter body shape provides a balanced voice that’s both articulate and powerful. The mahogany neck features a comfortable, slim-taper "C"-shaped profile, inspired by Fender’s electric legacy.
The same no-compromise attitude that gives the Newporter Player its uniquely killer vibe extends to every aspect of its construction. It features optimized bracing for superior resonance, a GraphTech® NuBone® nut and saddle, and a Fishman® preamp system that allows you to reproduce the guitar’s natural sound when plugged into an amplifier. With superb playability and unique aesthetics, the Newporter Player is an instrument sure to spark creativity with every strum.
The FG720 was one of our best-selling acoustic guitars thanks to its superb playability and tone. The new FG820 guitar adds an even richer tone with improved feel and response. Ideal for adult beginners or those looking for a great all-round acoustic guitar.
Featuring superb projection and volume with a warm, rich tone, the FG820 makes a great full size acoustic guitar both for those starting out and those upgrading from smaller beginner models.
Bold and brash, the chest-thumping sound of this big-bodied acoustic was designed to inspire from the moment you pick it up. The exclusive slope-shouldered Redondo body shape has a rich, commanding voice that fills any room. The fully-painted solid Sitka spruce top, solid mahogany sides and back, as well as matching painted 6-in-line headstock and maple binding and rosette, give it a shot of electrifying attitude. Dynamic, unique and unconventional—like today’s guitarists—the Redondo Special refuses to be bound by the past.
This blacktop American Dream Grand Pacific makes a striking first impression and backs it up with a serious musical punch. Made with solid ovangkol back and sides topped with spruce, this all-solid-wood guitar represents the resilience of Taylor’s commitment to meeting the needs of everyday musicians even in historically difficult times. Ovangkol’s warm, seasoned tone bears hints of rosewood’s lush sparkle, with greater presence in the midrange, while the spruce top adds clarity and articulation. It’s all punched up by the V-Class bracing under the hood, which optimizes the tonal output for greater volume, longer sustain, and ear-pleasing intonation up and down the neck. Aside from the black finish for the top, a thin 2.0-mil matte layer combines a rootsy look with a responsive voice. Additional details include chamfered body edges, a single-ring rosette, 4mm dot fretboard inlays, and a black pickguard. It ships in a sturdy yet lightweight Taylor AeroCase.
Spruce Top
25.4" Scale Length
Cross Lap Bracing
Bone Nut and Saddle
RK Whitley Pickguard
Available in Tobacco Sunburst and Matte Black
The new Yamaha FG820 acoustic guitar is a step up from the FG700S, with scalloped braces for increased projection and low-end. It's a great first upgrade acoustic guitar with deluxe features and most importantly - Yamaha craftsmanship.
This FG820 acoustic guitar is not really a beginner's guitar. It is for the guitarist who has been playing awhile and wants to move up from a beginning instrument.
The Redondo Mini packs a big punch into a smaller sized acoustic guitar. Featuring a spruce top paired with mahogany back and sides, this guitar has a 22 ¾” scale length, but delivers the tone of a full-sized guitar. Like all models in the California Series, the Redondo Mini features a 6-in-line Strat headstock inspired by Fender’s electric legacy.
Other premium features include a walnut fingerboard and bridge, Nubone nut and saddle.Whether you’re a young, aspiring player looking for a smaller instrument, or simply looking for a top-notch guitar that’s easy to travel with, the Redondo Mini has you covered.
The Redondo Mini packs a big punch into a smaller sized acoustic guitar. Featuring a spruce top paired with mahogany back and sides, this guitar has a 22 ¾” scale length, but delivers the tone of a full-sized guitar. Like all models in the California Series, the Redondo Mini features a 6-in-line Strat headstock inspired by Fender’s electric legacy.
Other premium features include a walnut fingerboard and bridge, Nubone nut and saddle.Whether you’re a young, aspiring player looking for a smaller instrument, or simply looking for a top-notch guitar that’s easy to travel with, the Redondo Mini has you covered.
The JR2 is a compact acoustic guitar modeled after our long selling FG series. Its compact size and authentic acoustic tone make the JR2 and excellent take along, play anywhere guitar. Great for campfire sing alongs, road trips or anywhere you want to be able to play. A Mahogany finish UTF finish back & side offers beautiful look and the instrument comes with a durable case.
Part of our Tonewood Reserve Series, the Recording King RD-328 evokes classic dreadnought style, sound & volume thanks to hand-selected tonewoods and vintage styling.
The foundation of the 328’s tone comes from select solid Adirondack spruce tops. Adirondack delivers a stiff, loud, lightweight top with powerful fundamental tone and excellent projection.
Combine the hand-picked Adirondack tops with select solid Rosewood back and sides, and you have the all-solid basics for guitars that have powered genres like bluegrass and country for decades.
We finish the 328 with classy, low-key fretboard dots on the rosewood fretboard, and a vintage-style tortoise pickguard to protect the top. The 328’s classic rosette design and herringbone body purfling complete the traditional look.
For players that need the power and volume that only a dreadnought can provide and still want the warmth and vibrance that comes with premium tonewoods, the RD-328 offers the best of both worlds at a fraction of the price of a vintage instrument.
At the vanguard of our newly revoiced Grand Orchestra body shape, the 618e establishes a new style of bold, powerful acoustic tone within the Taylor line. Solid maple back and sides lend this big-bodied powerhouse a focused, transparent sound that adapts and reflects the style of the player, while a solid Sitka spruce top adds brilliance and clarity. The transformative introduction of V-Class bracing into the Grand Orchestra body offers players a more robust, vivid tonal response, with greater volume and sustain alongside heightened clarity and musicality that make this model even more player-reflective and a versatile choice for musicians across styles. The touch-sensitive response balances out serious headroom and projection so that players can explore a wide dynamic range without losing balance or fading out of a mix. Appointments for this 600 Series model include maple binding with koa purfling, a single-ring paua rosette, mother-of-pearl Mission inlays, and a gloss finish treated with an Antique Blonde finish for the top, back and sides. To preserve the traditional look and feel of this jumbo-style guitar, we’ve chosen to build it without a cutaway. The 618e ships with ES2 electronics in a deluxe Western Floral hardshell case.
Perfect model for beginners because it is very light and comfortable. The solid cedar or spruce top gives a warm and powerful sound. Mat varnish finish which keeps the natural tone of the wood.
When it was introduced in 1966, the Yamaha FG proved that a great acoustic guitar didn’t need to cost a fortune. With a focus on great playability, musical tone and outstanding build quality, the original FG180 quickly became a classic with countless careers and hit records starting life on an FG. 50 years since the introduction of the FG acoustics, the new range features the best-ever FG tone and the same great playability and class-leading quality that’s made it the choice of millions of guitarists. Wherever your musical journey’s going, it all starts here.
In addition to a warmer and stronger sound thanks to the mahogany back and sides, the body binding and fingerboard binding are cream plastic, for an upgraded look.
| Body Size | Traditional Western |
| Top Material | Solid Spruce |
| Back & Sides | Mahogany |
| Neck Material | Nato |
| Nut Material | Urea |
| Fingerboard | Walnut |
| Scale Length | 25 9/16” |
| Number of Frets | 20 |
| Nut Width | 1 11/16” |
| Finish Type | Gloss |
| Neck Finish | Matt |
| Bridge Material | Walnut |
| Saddle | Urea |
| Tuners | Die-cast Chrome |
Part of Taylor’s inaugural class of Grand Pacific guitars, the Builder’s Edition 717 builds on a long tradition of rosewood/spruce dreadnoughts but breaks new ground with an entirely new Taylor sound. The round-shoulder dreadnought shape, featuring Taylor’s award-winning V-Class bracing, produces warm, seasoned acoustic tone in which individual notes overlap and blend smoothly together, while the low-end power common among dreadnoughts boasts greater clarity here. V-Class brings extra punch and sustain, along with improved intonation and musicality across the entire frequency spectrum. Together with rosewood’s harmonic complexity and the played-in sound of the torrefied spruce top, players can expect rich, luxurious tonal character from top to bottom. It’s a voice comfortably rooted in a traditional sound, yet updated to offer more expressive musical range. As a Builder’s Edition model, the 717 also sports an array of premium, player-friendly features: chamfered body edges, rolled fretboard edges, and a new compound-carve neck profile, whose contours match the natural adjustments in the player’s hand position when moving up and down the fretboard. Even the bridge design was refined to add a more ergonomic feel for the player’s pick hand. Taylor’s noise-reducing Silent Satin finish displays the muted sheen of an older guitar, while elegantly understated appointments include mother-of-pearl Arrowhead fretboard and peghead inlays, with sapele binding. It all adds up to a Taylor like you’ve never seen, heard or felt before.
Derived from FS820 which has the solid spruce top and mahogany back/sides, FSX820C has a cutaway body and the electric system. Yamaha's proprietary under-saddle piezo pickup and System66 analog preamp ensure the solid plugged-in performance. The small and thin body is perfect not only for female/young players but for intermediate to upper level finger-picking style players.
The FS 820 NT Natural is a compact acoustic guitar that produces a very powerful and balanced sound due to its lightweight construction. Thanks to a solid spruce top, this sound develops quickly and completely and is especially defined in the mid and high frequencies, so that the instrument is particularly effective in the individual tones. The short NATO neck with walnut fretboard gives the player easy access to all 20 frets, which are marked with dot inlays. The interaction between the saddle and 43 mm wide nut made of urea not only promises clean intonation over the entire scale length of 634 mm, but also creates a lot of space to easily master even extensive fingering patterns. Chrome-plated die-cast tuners, a tortoise pickguard, cream-colored bindings and a double-ring rosette give the Yamaha FS 820 a noble touch, rounded off by a high-gloss finish.
When it was introduced in 1966, the Yamaha FG proved that a great acoustic guitar didn’t need to cost a fortune. With a focus on great playability, musical tone and outstanding build quality, the original FG180 quickly became a classic with countless careers and hit records starting life on an FG. 50 years since the introduction of the FG acoustics, the new range features the best-ever FG tone and the same great playability and class-leading quality that’s made it the choice of millions of guitarists. Wherever your musical journey’s going, it all starts here.
The Dirty 30s Series 7 is a single 0 with a sound that will impress you.
Chalk it up to our super clean Cross Lap bracing and top quality materials, the Series 7 packs a punch.
The spruce top provides the foundation for classic acoustic tone beneath the Tobacco Sunburst finish. The bound soundhole and Harmonella stencil fretboard markers are both functional and stylistic.
The Series 7 has a bone nut and saddle for excellent sustain, and ivory-button tuning machines for traditional mojo.
Whether headed out on the road or matching the vibe of an intimate session, the Series 7 is your go-to-guitar for that woody, boxy vintage sound.
Available in Tobacco Sunburst, Matte Black
Spruce Top
25.4" Scale Length
Cross Lap Bracing
Bone Nut and Saddle
Checkerboard Purfling
Also available with Fishman Sonitone Electronics(RPS-7-FE3-TS)
Also Available in Left-Handed(RPS-7-LEFTY-TS)
| Model: | RPS-7 |
|---|---|
| Body Shape: | 12th Fret Single-O |
| Top Material: | Spruce |
| Back Material: | Whitewood |
| Side Material: | Whitewood |
| Top Bracing Pattern: | X Bracing |
| Top Braces: | Sitka Spruce |
| Neck Material: | Mahogany |
| Neck Profile: | Thin C |
| Neck Joint: | Dovetail |
| Fretboard Material: | Ovangkol |
| Scale Length: | 25.4" |
| # Of Frets Clear: | 12 |
| # Of Frets Total: | 20 |
| Nut Material: | Bone |
| Nut Width: | 1-11/16" |
| Headstock Overlay: | Black |
| Headstock Inlay: | None |
| Tuning Machines: | Nickel w/ Ivory Buttons |
| Body Binding: | Ivory Top Binding |
| Rosette: | Bound Soundhole |
| Top Purfling: | Checkerboard |
| Fretboard Inlays: | Harmonella Stencil |
| Fretboard Binding: | Black |
| Bridge Material: | Ovangkol |
| Bridge Shape: | Straight |
| Saddle: | Compensated Bone |
| Pickguard: | None |
| Electronics: | Fishman Sonitone(RPS-7-FE3-TS Only) |
| Finish: | Satin |
| Color Option 1: | Tobacco Sunburst(RPS-7-TS) |
| Color Option 2: | Matte Black(RPS-7-MBK) |
A modern update of a classic turn-of-the-century guitar. It's perfect for guitar history buffs, recording engineers, front-porch blues players, and thanks to the smaller body size and shorter scale length, beginners who need a compact, easy to play, great-sounding instrument.
The traditional parlor-size body is based on a historic "no-logo" Lyon & Healy model. It's built with a solid spruce top for classic tone, comfortable ovangkol fretboard with stencil fret markers, a 24.2" scale length and a bone nut and saddle for excellent string/body resonance.
Recording King guitars combine vintage design with modern upgrades for players, and the Dirty 30's Parlor is no exception. Many turn-of-the-century small-body guitars were made with ladder bracing, but the Dirty 30's Parlor benefits from x-bracing designed to accommodate modern string tension but retain the sound of the vintage parlor guitars.
The Recording King Dirty 30's Parlor is finished in dark tobacco sunburst. With true parlor size, vintage design, and modern upgrades, the Dirty 30's Parlor is the guitar for players with one foot in the past and the other in the present.
Solid Sitka Spruce Top
24.2" Scale Length
Cross Lap X Bracing
Bound Soundhole
1-11/16" Nut Width
| Model Number: | RPH-P2-TS |
|---|---|
| Model Name: | Dirty 30s Series 9 Parlor Guitar |
| Body Shape: | Parlor |
| Top Material: | Solid Sitka Spruce |
| Back Material: | Whitewood |
| Side Material: | Whitewood |
| Top Bracing Pattern: | Cross Lap X Bracing |
| Top Braces: | Spruce |
| Neck Material: | Nato |
| Neck Profile: | C |
| Neck Joint: | Dovetail |
| Fretboard Material: | Ovangkol |
| Scale Length: | 24.2" |
| # Of Frets Clear: | 12 |
| # Of Frets Total: | 19 |
| Nut Material: | Bone |
| Nut Width: | 1-11/16" |
| Headstock Overlay: | Black |
| Headstock Inlay: | None |
| Tuning Machines: | Black Buttons |
| Body Binding: | Ivory |
| Rosette: | Ivory Bound Soundhole |
| Top Purfling: | None |
| Fretboard Inlays: | RK Harmonella Stencils |
| Fretboard Binding: | None |
| Bridge Material: | Ovangkol |
| Bridge Shape: | Straight |
| Saddle: | Bone |
| Pickguard: | None |
| Finish: | Satin |
| Electronics: | None |
| Color Options: | Tobacco Sunburst |
Recording King’s mid-20th-Century vibe continues with the introduction of the Dirty 30s Tenor Guitar. Featuring enhanced sonic benefits from RK’s exclusive CrossLap bracing and bone nut and saddle, this comfortable 23" scale tenor guitar is sure to introduce the joy of playing tenor to a whole new audience.
Players have been asking Recording King designers for years to release an affordable tenor guitar in the Dirty 30s style. The Recording King Series 7 Tenor guitar gives jazz, folk, and old-time guitarists (and banjo players!) a high-value, mojo-packed, great-sounding tenor to add to their collections.
The tenor guitar, generally tuned CGDA, has long been a staple of old-time players and has continued to pique the interest of the mainstream musicians looking to augment their sound.
Recording King’s Series 7 Tenor Guitar has a familiar 000-size body, with the same retro aesthetic as other Dirty 30s models. The 23” scale makes it easy to navigate the entire fretboard, and the bone nut & saddle insure resonance at all the string contact points. RK’s exclusive CrossLap bracing results in an extra-responsive top to help you cut through the mix.
There are a few other tenor guitars on the market, but none that pack the Series 7’s combination of excellent tone, vintage mojo and incredible value.
Spruce Top
23" Scale Length
Cross Lap Bracing
Bone Nut and Saddle
Checkerboard Purfling
| Model: | ROST-7-TS |
|---|---|
| Body Shape: | 14th Fret 000 |
| Top Material: | Spruce |
| Back Material: | Whitewood |
| Side Material: | Whitewood |
| Top Bracing Pattern: | Cross Lap Bracing |
| Top Braces: | Sitka Spruce |
| Neck Material: | Mahogany |
| Fretboard Material: | Ovangkol |
| Scale Length: | 23" |
| # Of Frets Clear: | 14 |
| # Of Frets Total: | 20 |
| Nut Material: | Bone |
| Nut Width: | 1-1/4" |
| Headstock Overlay: | Black |
| Headstock Inlay: | None |
| Tuning Machines: | Nickel w/ Ivory Buttons |
| Body Binding: | Ivory Top Binding |
| Rosette: | Bound Soundhole |
| Top Purfling: | None |
| Fretboard Inlays: | Dots |
| Fretboard Binding: | None |
| Bridge Material: | Ovangkol |
| Bridge Shape: | Straight |
| Saddle: | Bone |
| Bridge Pins & Endpin: | Ivory color |
| Pickguard: | None |
| Finish: | Satin |
Derived from FG820 which has the solid spruce top and mahogany back/sides, FGX820CII has a cutaway body and the electric system. Yamaha's proprietary under-saddle piezo pickup and System66 analog preamp ensure the solid plugged-in performance.
| Body Size | Traditional Western Cutaway |
| Top Material | Solid Spruce |
| Back & Sides | Mahogany |
| Neck Material | Nato |
| Nut Material | Urea |
| Fingerboard | Walnut |
| Scale Length | 25 9/16" |
| Number of Frets | 20 |
| Nut Width | 1 11/16" |
| Finish Type | Gloss |
| Neck Finish | Matt |
| Bridge Material | Walnut |
| Saddle | Urea |
| Tuners | Die-cast Chrome |
| Electronics | SYSTEM66 + SRT Piezo Pickup |
With its mighty jumbo body style, solid-top construction, stunning cosmetic features and premium electronics, the GJ72CE is a commanding acoustic/electric guitar that is built to perform.
Featuring a solid spruce top and flame maple back and sides, the GJ72CE produces all the volume and robust sound that players expect from a jumbo guitar. The slim mahogany neck and 12”-radius bound laurel fingerboard provide great feel and playability, while the onboard Takamine TK-40D preamp system gives you a built-in tuner, three-band EQ and gain controls, mid contour switch, notch filter and EQ bypass switch for the ultimate in versatility and sound quality.
This Grand Pacific model is the first of our round-shoulder dreadnoughts to feature back and sides of solid ovangkol, an African tonewood that shares rosewood’s warmth and brilliance with additional presence in the midrange. Topped with solid spruce, the AD17 serves up a blend of sparkle and clean low-end power, enhanced by V-Class bracing for greater volume, longer sustain, and a more in-tune sound. That seasoned, vintage-hued tone is reflected in this model’s strikingly classic look, with a natural top and a deep Urban Sienna color treatment for the ovangkol back and sides. Minimally decorated but finely crafted, the AD17 also features chamfered body edges, stained spruce edge trim, a three-ring rosette in Hawaiian koa, and a faux tortoiseshell pickguard. The 2.0 mil-thick matte body finish minimizes damping for unfettered resonance. It ships in a Taylor AeroCase.
Newly consolidated with the 814ce DLX, our flagship Grand Auditorium retains all of its sonic power with new features devoted to a smoother playing experience and updated aesthetics. In this 814ce, the classic tonewood combination of Indian rosewood and Sitka spruce still delivers its characteristic blend of warmth, low-end presence and high-range sparkle, elevated to new heights by V-Class bracing. Notes sustain longer, allowing rosewood’s rich overtones to bloom with more clarity than ever, and the advanced bracing scheme introduces greater power and tunefulness across the entire tonal spectrum for a rich and expressive sound. New features include a radius-style rosewood armrest and smoked nickel tuners, along with 800 Series standard appointments such as a smoky ebony fretboard sourced from Taylor’s Crelicam mill in Cameroon, maple binding, rosewood edge trim, an abalone rosette edged with rosewood, and mother-of-pearl Element fretboard and peghead inlays. The 814ce also includes a Venetian cutaway and our ES2 acoustic electronics, and ships in a deluxe hardshell case.
The new Yamaha FG830 acoustic guitar is a step up from the FG700S, with scalloped braces for increased projection and low-end. It's a great first upgrade acoustic guitar with deluxe features and most importantly - Yamaha craftsmanship.
This FG830 acoustic guitar is not really a beginner's guitar. It is for the guitarist who has been playing awhile and wants to move up from a beginning instrument.
The Yamaha FX370CBL Electro-Acoustic Guitar in Black is not only very handsome looking but an excellent quality guitar at a very affordable price. It features a spruce top, nato back and sides, an ultra-thin polyurethane finish and high-spec hardware to ensure the looks, sound and playability of this guitar are all at the top of their game.
Pickup Systems
Controls for the under bridge mounted piezo pickup are mounted on the instrument’s side for optimum access. The battery compartment is also located on the side, close to the neck, to provide easy replacement.
Preamp Systems
One-way active preamp and piezo pickup system includes separate bass and treble tone controls plus a gain control for flexible sound shaping. Battery check switch and indicator also included.
The brand new APXT2 is a 3/4 size edition of the world's best-selling electro-acoustic guitar, the Yamaha APX500II. This fun, yet well-constructed compact guitar makes great company when you're on the road. The APXT2 features our ground-breaking ART-based pickup system and a proprietary tuner featuring high sensitivity and accuracy for quick tuning. Includes gigbag.
The Grand Pacific 317, featuring our new round-shoulder dreadnought body voiced with Taylor’s award-winning V-Class bracing, helps usher in a whole new Taylor sound. Notes blend smoothly together to produce a warm and seasoned acoustic voice with clear low-end power. Built with solid sapele back and sides and a solid Sitka spruce top, the guitar’s tonal response sits comfortably between the dry, focused character of mahogany and the harmonically complex sound of rosewood. The body’s wider waist helps produce a strong bass response, but without the woofiness that can sometimes plague bigger-body guitars. That low-end clarity blends evenly with the guitar’s mids and highs, yielding a rich, dynamic tone with notes that overlap into a seamless whole. Our V-Class bracing, tailored for the Grand Pacific body, dials up the power and sustain, along with improved intonation, making this a versatile tool for jamming with other musicians, playing alongside a vocalist, or embarking on solo adventures. Whatever your musical calling, the Grand Pacific 317 will make an inspiring companion.
The Dirty 30s Series 7 000 delivers robust acoustic tone with even response across the fretboard. Featuring our super clean Cross Lap bracing and top quality materials, the Series 7 is one of the best sounding acoustic guitar values available. The spruce top provides the foundation for classic acoustic tone, and the tobacco sunburst finish, ivory color body binding and bound soundhole give the Series 7 000 a vintage aesthetic.
Part of our Tonewood Reserve Series, the Recording King RO-328 evokes classic style, sound & volume thanks to hand-selected tonewoods and vintage styling.
The foundation of the 328’s tone comes from solid Adirondack spruce tops. Adirondack’s excellent projection, coupled with three decades of curing delivers a stiff, loud, lightweight top with powerful fundamental tone.
Combine the aged tops with solid Rosewood back and sides, and you have the all-solid basics for guitars that have powered genres for decades.
We finish the 328 with classy, low-key fretboard dots on the rosewood fretboard, and a vintage-style tortoise pickguard to protect the top. The 328’s classic rosette design and herringbone body purfling complete the traditional look.
The Dirty 30s Series sits at the perfect crossroads of classic sound and historic design.
Like the original Montgomery Ward mail order instruments from the first half of the century, Dirty 30s banjos are the ideal companion for singer-songwriters, folk stylists or traveling troubadours.
The Recording King Dirty 30s Open Back Banjo packs excellent playability and historic vibe into a retro-infused package.
With a great looking satin finish, maple neck and Remo Recording King banjo head, the Dirty 30s resonator banjos have classic banjo tone and are light enough to take on the road with ease.
The Dirty 30s Series sits at the perfect crossroads of classic sound and historic design.
Like the original Montgomery Ward mail order instruments from the first half of the century, Dirty 30s banjos are the ideal companion for singer-songwriters, folk stylists or traveling troubadours.
The Recording King Dirty 30s Resonator Banjo packs excellent playability and historic vibe into a retro-infused package.
With a great looking satin finish, maple neck and Remo Recording King banjo head, the Dirty 30s resonator banjos have classic banjo tone and are light enough to take on the road with ease.
The Dirty 30s Series 7 Dreadnought delivers robust acoustic tone with deep bass and powerful projection. Featuring our super clean Cross Lap bracing and top quality materials, the Series 7 is one of the best sounding acoustic guitar values available.
The spruce top provides the foundation for classic acoustic tone, and the tobacco sunburst finish, ivory color body binding and bound soundhole give the Series 7 Dreadnought a vintage aesthetic. Parallelogram stencil fretboard markers complete the look.
The G6 Dreadnought offers simple elegance and great dreadnought sound in a simple, clean design. With a solid spruce soundboard and bone nut & saddle, these guitars deliver tone that will please both bedroom pickers and professionals alike. The tortoise rosette elevates the aesthetic but keeps things understated for players who prefer to let the playing stand out.
The hand-carved LM-520 F-model mandolin is our response to players' requests for a great-sounding, high-value mandolin with low key appointments.
Authentic mandolin "chop" is recognizable from the first strum, and can only be found in an instrument with a true, hand-carved Spruce top. We've hand-carved the tops of the LM-310F to provide that real 1920s sound, but with enough vibration to still cut through in today's ensemble playing.
The new Yamaha FG820 acoustic guitar is a step up from the FG700S, with scalloped braces for increased projection and low-end. It's a great first upgrade acoustic guitar with deluxe features and most importantly - Yamaha craftsmanship.
This FG820 acoustic guitar is not really a beginner's guitar. It is for the guitarist who has been playing awhile and wants to move up from a beginning instrument.
Derived from FS830 which has the solid spruce top and rosewood back/sides, FSX830C has a cutaway body and the electric system. Yamaha's proprietary under-saddle piezo pickup and System66 analog preamp ensure the solid plugged-in performance. The small and thin body is perfect not only for female/young players but for intermediate to upper level finger-picking style players.
