Karfan er tóm.
Effekta pedalar
Cioks Link Cable IEC C14 to C5
Samtals m/vsk
1.990 kr.
Ibanez Mini Phaser PHMINI
Ibanez is proud to announce a new addition to the MINI pedal lineup. The Phaser MINI is made in Japan and features three controls; DEPTH, FEEDBACK and SPEED. Through these controls, the Phaser MINI offers a variety of sounds ranging from subtle texture to deep saturation. Moreover, it is designed to retain a clarity of dry signal even when set to the highest effect intensity. It also features switchable STAGE mode, 4 or 6. 4-STAGE mode delivers traditional Phaser tones, typically used in classic rock. 6-STAGE mode provides more intense and dramatic effect. The PHMINI also features 100% pure analog circuitry and a true bypass switch. The PHMINI delivers a multitude of analog Phaser features, while occupying minimal space on your pedalboard!
Samtals m/vsk
22.990 kr.
OBN Endeavors Utility 2: ABY
The second addition of the OBNE Utility Line, the classic AB/Y Switcher. It's simple: sometimes you need two outputs, sometimes you need two inputs. And then you need to switch between them. Or use them both at the same time. That's it. It's not magic. It's not revolutionary. It's a simple tool. A tool that you can now get from Old Blood.
Samtals m/vsk
11.990 kr.
Meris Meris MIDI I/O
The Meris MIDI I/O allows you to control up to 4 Meris pedals via MIDI. MIDI controller, wireless with a bluetooth adapter, from your DAW, you decide…
Samtals m/vsk
18.990 kr.
Boss TU-3 Tuner
The world’s top-selling stage tuner, the BOSS TU-2, evolves and improves with the debut of the new TU-3. Housed in a tank-tough BOSS stompbox body, the TU-3 features a smooth 21-segment LED meter with a High-Brightness mode that cuts through the harshest outdoor glare. Choose between Chromatic or Guitar/Bass tuning modes, and enjoy visual pinpoint tuning verification with the Accu-Pitch Sign function. The TU-3 incorporates a convenient Note Name Indicator that can display notes of 7-string guitars and 6-string basses, while the Flat-Tuning mode can support up to six half-steps. It’s the new-standard tuner that no guitarist or bass player should be without!
Samtals m/vsk
17.990 kr.
OBN Endeavors Expr Ramper
Expression Ramper allows you to pick two expression settings and move between them, either in one motion or as a continuous LFO activated by a footswitch. The mini enclosure size takes up minimal space while creating new sounds out of any pedal with an expression input.
Samtals m/vsk
11.990 kr.
Boss BD-2 Blues Driver
The BD-2 Blues Driver delivers the creamy, yet crunchy sound associated with great blues guitar. This popular pedal provides instant access to the kind of warm overdrive and emotive distortion usually reserved for 30-year-old tube amps.
Samtals m/vsk
20.990 kr.
SolidGoldFX Imperial Fuzz II
Upon first glance at the Imperial MKII, you might be intrigued by its charmingly retro appearance. Inspired by the JEN Jumbo fuzz, which is one of our personal favorite vintage fuzzes, the Imperial MKII’s four sliders, textured black paint and bold red graphics shows you can immediately tell that this pedal means business.
If a ripping, royally raucous fuzz, with impeccable manners, is what you seek in your tone conquest or whether you are chasing those soaring Gilmour-esque leads that propel you to the far side of the moon, then look no further than the Imperial MKII.
So, what is the JEN Jumbo Fuzz and what makes it so awesome? JEN Elettronica was an Italian manufacturer who made pedals for Vox, Dallas Arbiter and Sound City (among others), in addition to making equipment under their own brand. The Jumbo Fuzz was their spin on the venerable EHX Big Muff® that swapped the knobs out for sliders and added a nifty germanium noise gate. In terms of sound, the tuning of the Jumbo Fuzz lies somewhere in the Ram’s Head camp - not overly scooped or woofy, with a nice gain range - just a great sounding pedal!
While the Jumbo’s noise gate is a great feature and gives this BMP variant a unique attack with practically zero noise, vintage units vary greatly from one unit to another, with some gating too much and others not at all. Capturing the Jumbo Fuzz’s vibe and redesigning the gate was essential to our Imperial redesign. Let’s dive in…
True to the original SGFX Imperial, the MKII retains our high impedance JFET preamp, giving the low noise floor detail and definition you would expect from any SolidGoldFx pedal. Bass, guitar or synth, stick it anywhere in your effects chain and feel free to ride your volume knob for clean-up - the Imperial’s preamp will respond. While the tone stack is carried over from the original design, a new Contour slider replaces the mids switch, which changes the frequency of the high-pass filter in the tone stack. This allows you to boost or scoop your mids, with every shade in between.
About that noise gate, this is where the Imperial MKII really shines. We’ve swapped out the Jumbo Fuzz’s germanium transistor design with silicon devices and given it an improved envelope generator, to ensure consistency and response throughout. Having fine-tuned the attack and release, not only does the noise gate allow for virtually zero noise, but it also gives the pedal a unique, sharp attack with no loss of sustain at higher fuzz settings. Align this to a nice, dry attack at low settings, and Imperial MKII will pair great with other dirt boxes too. The noise gate will even allow you to add fuzz to a hollow-body, while controlling the howl and feedback should you choose.
Finally, the Imperial MKII package is completed with dual LED indicators (one for bypass and the other indicating the gate status), top jacks, true bypass switching and, of course, our retro sliders and vintage inspired artwork.
Samtals m/vsk
37.990 kr.
Revv G2 Drive
The plan from the start with G-Series pedals was to recreate the tone of our amplifiers. The Revv G2 was the final piece of that puzzle… but it turned into so much more! My goal was to make our most realistic & inspiring pedal to date. That actually came pretty quickly – a great representation of our touch-sensitive crunchy green channel! However, I sent it to one of our Nashville artists. He had great feedback totally unrelated to our green channel. Rather, how to simply make the best pedal possible for this application with maximum versatility as an “amp in a box.” Then one of our employees said it would be cool if the G2 could be used as a boost as well… With these new goals in mind, the G2 quickly became an entirely new animal. Very transparent at low settings – capable of livening up your clean tone, tightening a high gain sound, or boosting your tone into a creamy lead. Then, our sweet & dynamic green channel with powerful EQ to pair to your amp. Finally, a full but still very chimey distortion tone. This was our most important design yet. The Revv G2 not only completes our vision for a modular rig solution, but has pushed us into new sonic territory we’re already seeing in new genres of music worldwide.
-Dan Trudeau, President & Head Designer Revv Amplification Inc
REVV G2 FEATURES
Revv G2 overdrive pedal with voicing based on Revv Amplification’s “Green Channel” from Generator amplifiers
Clear, dynamic, amp-like tone
Used by premier session guitarists worldwide
Demos from Pete Thorn, Rabea Massaad, and R.J. Ronquillo.
3 band EQ, 3 drive modes, volume, & gain
9v center negative tip (external power supply only)
Easy to dial – get good tone quickly
Blue LED for status confirmation
Reflective green, laser-etched, powder coated chassis
Optimized for analog, digital, & hybrid rigs
Top-mounted jacks
Built to last – 1 year warranty. Durable, tested construction
Samtals m/vsk
37.990 kr.
Nobels ODR-1BC Overdrive
Over the decades key artists such as Jerry Donahue, Guthrie Trapp, Carl Verheyen, John Shanks, Tim Pierce, Robbie McIntosh, Clem Clempson, Micky Moody and countless other amazing players have made the ODR-1 Natural Overdrive part of their sonic arsenal. While all single coil guitarists as well as most humbucker users and even bassists love the clarity and versatility of the full sound of the ODR-1 some heavy humbucker players asked for the chance to reduce the sub-bass end.
UNDER THE HOOD….
The new ODR-1(bc) now offers a bass-cut switch under the battery cover to preset original ODR-1 sound or to preset slightly reduced sub-bass.
Operation now is possible from 9V – 18V DC for more headroom, if you want it. The pointers on the knobs now are GitD Glow-in-the-Dark.The ODR-1 has proved to be a favourite with pros, especially session players, as it works so effectively with guitars’ volume controls for on-the-fly tonal changes in songs. The pedal’s wide range is controlled by a SPECTRUM control tone pot. Turning the knob clockwise increases the bass and treble at the same time. Midrange stays untouched in either direction to offer transparency with a pinch of warmth.
FACTS:
Analog Natural Overdrive Pedal
Bass Cut feature – helps to tame the low end
Accepts 18 V power – allows for additional headroom
Glow-in-the-Dark Knobs
Remote input jack – allows the pedal to be switched on/ off remotely (tempoary)
Controls: Drive, SPECTRUM and Level
Buffered Bypass
Solid metal housing
Low current consumption
Overhead battery compartment – allows for quick battery changes
Includes. 4x Mounty-P Mounting Plates preinstalled
Powered by 9 -18 V DC PSU* or PP3 9V Battery (9 V DC, centre -, 2.1 mm, ~11 mA current draw)
Samtals m/vsk
16.990 kr.
KMA Machines Logan
Logan’s gain structure is carefully balanced for an open and super touch-responsive drive tone, giving you and your instrument ample room to be expressive. You could describe its sound as smooth and harmonically rich, but that would be selling it short. There’s a true fire raging under the embers here, one that allows you add more hair, grit and sizzling depth as you pile on the gain, making Logan fit for anything from clean boost, amp-like breakup, indie clang to full-on rock machine.
It also sports an impressively high-headroom-design (up to 25 dB), enabling you to use Logan as a very versatile pre-amp too - all of you amp-less/cab-sim players can thank us later.
But what truly pushes Logan over the edge is its 3-band active EQ. The Bass and Treble EQ knobs are able to both boost or cut your signal by around 15 dB. This enables you to beef up thin-sounding single coils, add some chime to chunky humbuckers or get rid of boomy bass frequencies, when changing from a sweet 2x12 to a fat 4x12 cabinet. In addition, the tonal flexibility is even further extended by Logan’s fully parametric Mid-EQ section, where the MID control lets you set your preferred mid frequency between 100 Hz to 2.5 kHz, while the CUT/BOOST control lets you cut or boost the selected frequency by up to 12 dB.But the frequency fest doesn’t stop there. Logan even sports a dedicated footswitch to activate or deactivate the Mid-EQ and a position-switch which lets you place it either before the main gain-stage (PRE) or after it (POST), opening up a whole world of tonal possibilities. Place the Mid-EQ post-gain to give yourself a level boost for solos or place it pre-gain to saturate your preferred frequency even more, effectively giving you a second gain-stage.Then there’s the kicker! You can take complete hands-free control of the Mid-EQ Frequency via a regular expression-pedal. This lets you make instant tone changes on the fly, as well as unleash everything from fast and quacky wah-like sounds to slow and enveloping phasery filter sweeps.You’d think the feature-well would have run dry by now, but no, there’s even more cool sonic secrets under the hood.The pedal has been set at the factory to sound stellar right out of the box, however some people might want to tweak some more options to taste. Via a hole in the base plate, you get direct access to an internal trim-pot to set the bandwidth (Q) of the Mid-EQ. Turn it counter-clockwise for a broad bandwidth, for smooth frequency sweeps or turn it completely clockwise for really resonant sounds. Removing the base plate will reveal a second trim-pot, which enables you to blend in your clean signal with the overdriven tone, making Logan transcend the world of guitar. Bass? Drums? Synths? Vocals? Bring it on! This pedal will handle it all.Logan really is an all-in-one overdrive solution and trust us, once you plug in you’ll never want to turn it off again!
Powered by an optional standard 9V DC (max.) PSU (negative center, 2.1mm, approx. 30mA current draw)
Every pedal is designed, assembled, silkscreened, tested and numbered by hand in our small workshop. We use external manufactured PCBs to guarantee our high quality standard and keep the price of our pedals reasonable. The use of an indestructible powdercoated die-cast enclosure ensures a maximum durability.
Samtals m/vsk
33.990 kr.
Keeley Synth-1
The Synth-1 allows you to create fuzzed-out synth waves! Use the Filter and Blend controls to mix your guitar with the fuzz from the synth. Go from churning slow-gear reverse swells to sounding like a light saber.
The Keeley Synth-1 is a guitar-triggered, single-note wave generator. You control the tone of the wave with the Filter Control. The lead-in time or swell of the note is controlled with the Attack knob. Then use the Blend control to remove the natural tone from your guitar as you slide through synth-sounding fuzz waves. Use an expression pedal to control the Filter, and now you have Wah-Wah-like control of the Synth-1.
Synth Wave Generator – Create fuzzed-out, single note synth sounds
Reverse Attack – Volume Swell Effect – put your guitar in slow gear!
Chaos Switch – change dimensional triggering and octaves and stuff
Filter – shape the EQ and tone of your fuzz wave
Wave Selector – change wave modes on the fly with your foot!
Control the Blend of your natural guitar and the wave generator
Side Mount Expression Jack for TRS control of the Filter
Top Mounted Jacks, True-Bypass
Designed and Made in the USA
Samtals m/vsk
37.990 kr.
OBN Endeavors Alpha Haunt 21
Two years since its initial release, Alpha Haunt Fuzz gets a makeover. The pedal explores the vast variety of sounds you can coax from one fuzz circuit, from open overdrives to squashed sputters. Now in a more pedalboard-friendly package, the Alpha Haunt continues to offer users its uniquely versatile control set.
Samtals m/vsk
38.990 kr.
Meris Enzo
A multi-voice synthesizer that will track your guitar for tight monosynth leads, complex chord polyphony, or multi-note sequenced arpeggiation. All without any special pickup installation. Just put it on your board and discover your own reality. The Enzo isn’t limited to guitar; use it on any instrument whether drum machine, vocals or other synths. Completely transform your input signal and synthesize. Use the full synth palette of multimode analog style synth filters, ring modulation, envelopes and much much more to drive punchy, thick synth textures. Or, explore an altered state of your pure instrument signal by transforming it with pitch, time and modulation effects. Plug in to a revelation generator.
Samtals m/vsk
69.990 kr.
Keeley Fuzz Bender
The Keeley Fuzz Bender is a 5 knob – 3 transistor modern fuzz using a combination of high-gain silicon and silky smooth germanium. What makes fuzz better? Active EQ. Using two gyrators as an active EQ gives you the ability to create massive fuzz tones not possible with typical square-wave boxes. Pummel your amp with over 20dB of boost/cut at 100Hz and 10K Hz. The Fuzz Bender is built around vintage Japanese germanium to create its monumental fuzz tones. With the all new Bias Control, you control the attack and decay of your notes. Anything from Fat Square Waves to Angular Fuzz to glitchy-Velcro attacks are possible with the Bias Control. The Fuzz Bender’s five knobs confirm size matters when creating a new and epic world of fuzz.
Samtals m/vsk
31.990 kr.
Keeley Dark Side
We should all be so lucky as to be identified by the sound of a single note. Some players are so well defined that their entire musical journey can be heard in a single note they play. Tone is in the fingers. Tone is in the mind. Effects can be a great way of expressing emotions or creating textures. The Dark Side is about creating sounds and adding new tones to your symphony. It’s the things you can’t create with your fingers or mind. It’s metasymphonic. The Dark Side provides all the textures that define an essence, in one pedal.
Samtals m/vsk
65.990 kr.
Cioks DC7 Professional PSU
The groundbreaking DC7 has a one-inch (25,4mm) profile and weighs 1.1 pound (500 grams) thanks to the pure 2-stage switch-mode technology inside. The profile may be low but the power ratings are certainly not – the DC7 puts out a maximum of 48W and allows the user to connect multiple high-current effects such as devices from Effectrode, Line 6 and Eventide without noise of any kind.
Samtals m/vsk
40.990 kr.
Cioks DC10 Professional PSU
DC10 is a professional multi-output power supply for effect pedals. It has 10 regulated and well-filtered DC outlets configured in 8 isolated sections. With a total of 1.600mA it’s a perfect solution for bigger rigs with pedals only using a DC power source. Its three powerful sections with 400mA each will power pedals with special requirements like Strymons, Eventides, TC Electronic Nova-series pedals or TC Helicon pedals, Moogerfoogers, Radial Tonebone pedals or others without the need of special cables. Selectable with a switch DC10 offers voltages 9, 12 and 15V, and combined with the included Stack Flex or Series adapter Flex also 18 and 24V. The first 4 isolated outlets offering 4x100mA are perfect for standard 9V low current pedals.
Samtals m/vsk
36.990 kr.
Cioks DC10 Link Pro PSU
This is one state of the art professional power supply for effect pedals. It delivers 2.800mA of the cleanest power from its 10 isolated outlets with 9 and 12V available. Besides being one of the most powerful power supplies for effect pedals on the market it also offers some new advanced features. The adjustable outlet 10 will power pedals with non standard voltages like e.g. Tonebones at 15V, Blackstar dirt pedals at 22V, GLAB GSC-4 controller at 24V, all high current 18V pedals from Hiwatt, a few vintage EHX and many others. Due to its very high 800mA current capability at 9 or 12V you can with this single outlet power one of the big units like Line 6 M9, a VOX ToneLab or some older BOSS GT-XX Processors just to mention a few.
Samtals m/vsk
46.990 kr.
Cioks Ciokolate Pro PSU
CIOKS was founded in year 1991 and the first product out was the Baby power supply. It was released for sale in August 1992. To mark our 20th anniversary we’ve made one of most powerful and versatile power supplies for effect pedals on the market – CIOKS CIOKOLATE.
With some additions and a slightly different design we’ve put the DC10 and AC10 power supplies in one box. Loads of power, almost endless compositions of different voltages and a great selection of included Flex cables make this power supply a really strong tool for powering big pedal boards with many different pedals.
CIOKS CIOKOLATE power supply will power several high current digital pedals, high voltage 18, 24 or even 40V pedals, one or two AC pedals, one or two Radial Tonebone pedals or simulating a dying battery it will power your old favourite fuzz or overdrive. On top of all that it will of course also power all your standard 9V pedals from its many isolated outlets.
Samtals m/vsk
58.990 kr.