Karfan er tóm.
Effekta pedalar
Cry Baby Junior Wah
The Cry Baby Junior Wah features front-mounted jacks and an 8" housing for clean configurations on the world's most popular boards so that you don’t have to choose between a tidy layout and your Cry Baby Wah fix.
Samtals m/vsk
24.990 kr.
Cioks Mounting bracket set SRT
Bracket for mounting Cioks DC8, DC10, AC10, TC10, and Pussy Power version 1.1 and 1.2 under Pedaltrain Classic and Novo.
Samtals m/vsk
1.590 kr.
CIOKS Mini GRIP Bracket
If you have a CIOKS C4 Pedalboard Power Supply and a Pedaltrain Pedalboard, you're missing out on a great opportunity! Pick up a CIOKS GRIP Mini Bracket, and you'll be able to mount the power supply in no time at all. This durable metal bracket comes with pre-drilled mounting holes for easy installation. The CIOKS GRIP Mini Bracket is intended for use with Pedaltrain pedalboards and the CIOKS C4 Pedalboard Power Supply. So what are you waiting for? Take the power supply off the top of your board and store it on the bottom to make room for more stompboxes!
Samtals m/vsk
1.890 kr.
CIOKS GRIP Bracket v2.0
Anyone who has ever built a pedalboard knows the following the following decision has to be made at some point during the assembly process: how should the power supply be mounted and should it be on top of the board or below it? A traditional way of attaching the PSU to the top of the board is by using Velcro which is also what most players use to attach their pedals to their boards. This has its obvious advantages: the PSU can be mounted securely, you can see if it is working properly and routing the cables to the individual pedals is a simple job.
Samtals m/vsk
2.190 kr.
CIOKS 8 (expander kit) Pro PSU
CIOKS 8 is our largest switch-mode power supply expander and it features 8 isolated outlets which each deliver 9V DC at 660mA. All outlets offer four selectable voltages (9, 12, 15 or 18V).
CIOKS 8 was mainly designed to be used as a large extension to the DC7 power supply in case you need more outlets. If you want to use CIOKS 8 as an extension to the DC7, simply connect CIOKS 8 to the courtesy 24V outlet on your DC7 with the included 24V DC Link cable and you are good to go.
If you are looking for a super powerful power supply setup to power a large pedalboard, the combination of CIOKS DC7 and CIOKS 8 will definitely be an awesome solution where this combo will give you 15 isolated outlets in total plus a 5V USB outlet to charge your smartphone or tablet.
Samtals m/vsk
29.990 kr.
Til
boð
boð
SolidGoldFX Lysis MKII
The Lysis MKII is finally here! Is it a fuzz pedal, an octave, a sweeping filter, some kind of synth machine? YES!!
Samtals m/vsk
24.693 kr.Verð37.990 kr.
KMA Machines Cirrus
Floating above your head, delicate and elusive yet dreamy and sweeping. Always in motion until it dissolves and merges with the all immersive atmosphere around it. Just close your eyes and let the KMA Audio Machines’ Cirrus Delay and Reverb carry you across the open sky, onto its sonic cloudscapes.
Samtals m/vsk
34.990 kr.
SolidGoldFX EM-III
Welcome to the new SolidGoldFX EM-III Multi-Head Octave Echo; the smallest, most powerful and by far the most versatile SolidGoldFX delay pedal to date.
Building on SGFX’s Electroman Delay legacy, the EM-III manages to both echo the past, present and future. With EM-III’s wide-ranging yet ultra-intuitive control set, placing warm analog-voiced echoes, precise and modern delays, as well as experimental and futuristic sound designs, are all just a single stomp away.
Main Features List
Multi-Head Tape Delay pedal, with Octave and Modulation
70 to 1000 milliseconds delay time with Tap Tempo
Color Knob - for crisp and bright tape echo to murky lo-fi analog repeats
Warp feature - for instant self-oscillation Wall-of-Sound Swells
Glitch feature - replicates snapping tape sounds
Switchable True Bypass/ Buffered Trails modes
Top-mounted jacks - for ease of pedalboard mounting
Hand-made in Montreal, Canada
Powered by a regular 9V DC PSU
(centre -, 2,1 mm, ~70 mA current draw)
At your feet (or fingers) you have a multi-head tape style echo, with the ability to add in a signal an octave lower to the primary delay head. This can result in dancing, rhythmic delays with body and gravitas, as well as bold washy soundscapes. These two core features are controlled via a single mini-toggle. Flick it left to select between 1, 2 or 3 delay heads or flick it right to toggle the octave effect on and off. From there, just set your Delay Level, Repeats and Time via the knobs or tap in your preferred tempo via the soft-click tap tempo switch and let the good echo times roll.
The EM-III also sports delay modulation introduced via the Flutter control. Keep it at center position for no modulation. Dial it left for a slow and dreamy chorus-like modulation or right for a faster vibrato, letting you create lush oceanic movement, tape-style crinkles, eerie tension and beautiful dissonance.
The color knob allows you to engage both high-pass and low-pass filtering. Dead-center you have a pristine full-frequency digital delay. Dial it to the left and you cut the highs, creating warm, murky analog-esque repeats. Dial it to the right and you suck out the lows for crisp and bright tape-style repeats or super thin lo-fi delays.
The EM-III also brings interactive warp and glitch features to the tonal table by pressing and holding either Tap, Bypass or both at the same time. Hold Tap to increase the repeats until self-oscillation, creating a swelling wall of sound. Hold Bypass to replicate the sound of a tape motor on the fritz and a tape reel snapping, or hold both for glorious noise seances that will act as the perfect song/set closer.
Additional features include soft-touch, relay based, true bypass switching with the option of buffered trails, top jacks and up to a full second of delay time.
The EM-III is designed to inspire and evoke emotion. It can sound as pretty and cheerful or as dark and macabre as you wish. We invite you to tune up, plug in and immerse yourself in the EM-III experience.
Samtals m/vsk
37.990 kr.
Nobels ODR-1BC Overdrive
Over the decades key artists such as Jerry Donahue, Guthrie Trapp, Carl Verheyen, John Shanks, Tim Pierce, Robbie McIntosh, Clem Clempson, Micky Moody and countless other amazing players have made the ODR-1 Natural Overdrive part of their sonic arsenal. While all single coil guitarists as well as most humbucker users and even bassists love the clarity and versatility of the full sound of the ODR-1 some heavy humbucker players asked for the chance to reduce the sub-bass end.
UNDER THE HOOD….
The new ODR-1(bc) now offers a bass-cut switch under the battery cover to preset original ODR-1 sound or to preset slightly reduced sub-bass.
Operation now is possible from 9V – 18V DC for more headroom, if you want it. The pointers on the knobs now are GitD Glow-in-the-Dark.The ODR-1 has proved to be a favourite with pros, especially session players, as it works so effectively with guitars’ volume controls for on-the-fly tonal changes in songs. The pedal’s wide range is controlled by a SPECTRUM control tone pot. Turning the knob clockwise increases the bass and treble at the same time. Midrange stays untouched in either direction to offer transparency with a pinch of warmth.
FACTS:
Analog Natural Overdrive Pedal
Bass Cut feature – helps to tame the low end
Accepts 18 V power – allows for additional headroom
Glow-in-the-Dark Knobs
Remote input jack – allows the pedal to be switched on/ off remotely (tempoary)
Controls: Drive, SPECTRUM and Level
Buffered Bypass
Solid metal housing
Low current consumption
Overhead battery compartment – allows for quick battery changes
Includes. 4x Mounty-P Mounting Plates preinstalled
Powered by 9 -18 V DC PSU* or PP3 9V Battery (9 V DC, centre -, 2.1 mm, ~11 mA current draw)
Samtals m/vsk
16.990 kr.
Meris Mercury 7
The Meris Mercury7 Reverb Pedal is an algorithmic DSP reverb in a pedalboard friendly design.
FEATURES:
Handcrafted Algorithmic Reverbs
Analog Mix & Dry Signal Path
Intra-Tank Pitch Regeneration
High & Low Frequency Damping
Extensive Modulation Capability
Auto Swell Envelope (variable and foot-switchable)
Stereo input and output
Switchable input output headroom level for Guitar, Synthesizer or Line levels
Expression pedal control over all parameters simultaneously
Presets available via external 4-Preset switch or MIDI
MIDI in/out over TRS via the EXP jack
Premium analog signal path and 24-bit AD/DA w/32 bit floating point DSP
Premium Analog Devices JFET input section
Designed and Built in Los Angeles, California U.S.A.
SPECIFICATIONS:
Premium quality 24 bit A/D and D/A
32 Bit floating point DSP hardware
-115 dB Signal to Noise Ratio (typical)
Premium low noise Analog signal path throughout
Analog Devices JFET input circuitry
Wet/Dry signal mix occurs in the Analog domain
Selectable True Bypass (Relay) or Analog Buffered Bypass
150 mA total power consumption
Durable transparent blue powder coat over brushed aluminum
Power supply not included
Samtals m/vsk
69.990 kr.
Til
boð
boð
Keeley Oxblood Overdrive
When inspiration hits, you need the voice to proclaim it. When you need that voice, count on the Keeley Oxblood Overdrive to be your beast of burden.
The Keeley Oxblood Overdrive is our response to everyone cloning the “Mythical Beast” pedal. We decided to build an original design. We wanted to build a new circuit that lets players blend from perfectly clean to amp-crushing roar. We wanted that impossibly huge and focused midrange that makes any guitar–Strat, Paul, Tele–sound incredible. We knew we could do it our way and offer you more tone. So we designed this pedal over the course of a few days to outdo the old pedal. I am confident we not only drew blood, we crafted a #killer.
Clean, Distortion, Fuzz — It’s All There
With the Oxblood Overdrive you roll off the Drive Control and get a perfectly clean sound; you can dial in any amount of distortion and volume to stomp an amp into pure tonal Nirvana. The Keeley Oxblood Overdrive offers you two ways to clip and saturate your signal with overtones by selecting carefully chosen diodes. These are different than the standard Oxblood. These diodes were chosen to give you bigger, more open amp tones without a lot of compression.
The key to the ultimate overdrive, in our opinion, is the ability to control five different parameters.
Bass response. The Phat Switch cuts bass response to give you that classic Screamer or that mythic, K-like midrange shelving. The bass response, when cut, is saturated with a hint of 2nd order harmonics. Punchy and full yet not overbearing, it cuts like a buffalo. What can I say?
Clipping. Sometimes there just ain’t enough gain in the world. Well, not so with this beast. The Clipping Switch gives you the ability to sing with near infinite sustain or just stand on your amp like a chief.
Tone Control. You need to be able to dial in the highs perfectly or nothing else matters, right? The highs are what make it ear candy or ice picks. Heck, we give you the range to do whatever the heck you want to do. And that’s a two-heck sentence.
Volume. You have to be able to put the pedal to the metal whenever you darn well chose. Voltage doubling in our circuit gives you just that. Headroom for days. Slay an amp, leave it a bloody mess. No, you won’t blow tubes, but you will have them at the right temperature to make them glow with delight.
Drive. What? You want me to describe Drive? Shoot, from “Is it ON?” cleans to searing sustain and saturation. It pushes you. Compels you to play. Non-stop playing….
Midrange. Wait. Didn’t I say 5? Well, the 6th sign of a wonderful overdrive pedal is what’s under the hood. It’s masterful creation of sultry mids. The kind of mids singers or cellos are known for. Throaty and powerful. Not just a woman tone, but a manly roar. Not congested and stuffed up. Focused and brilliant.
Trifecta
The Keeley Oxblood Overdrive was designed by Robert Keeley and Craighton Hale with a lot of help and insight from Jack Orman. Jack Orman has been a pioneer in the modern world of effects for 20 years. His thoughts and ideas are incorporated by nearly every boutique builder out there. Here is your chance to hear a brand new creation designed to outperform any of the clones.
Samtals m/vsk
30.793 kr.Verð43.990 kr.
Keeley Compressor Plus
The Keeley Compressor is the most popular boutique compressor in the world. With well over 95,000 compressors built in our shop we have an expert understanding of compression, limiting, and sustain. We know what it takes to make an instrument sound like it’s been professionally recorded. We know how to make your guitar jump from the mix. We know how to make it fun and easy to play. Keeley Compression is how. The Keeley Compressor Plus is the first true advancement in our 2 and 4 knob compressor line. The new features are simple and straight forward. Now there is a simple Release Switch that is tuned for single coils or humbuckers. No more wondering if you have the attack or release set right. Your humbuckers will have all the attack and punch that they should. Our team designed a gorgeous sounding Tone Control which emphasizes the most sensitive harmonics that can be lost in compression. The Compressor Plus now sports a Blend Control that retains the peaks in your playing and, more importantly, the proper phasing of your guitar signal. The Keeley Compressor Plus offers the same gorgeous push of frequencies and sweetening of tone that the old comps gave you, now with the flexibility to easily handle any instrument.
The Keeley Compressor Plus is a compressor with an expander/sustainer. Not only does it act as a regular compressor, limiting the peaks in your playing, it adds more and more gain as notes fade out. Now you have sustain. Nothing worse than a note or a bend that has died before its time. The Keeley Compressor Plus adds just the right amount of sustain and expressive bloom to your notes.
The new Release Switch on the Keeley Compressor Plus is designed to make it very easy to transition between single coil and humbucker guitars. Humbuckers have more average energy than single coils which can cause compressors to stay in “compression mode” for a lot longer. When this happens, any series of notes you play will sound dull. With the quick release of the new Compressor Plus, your humbuckers remain true sounding, and each note retains dynamic attack and definition.
The Tone Control is our own design taken from analog delays and other vintage effects. Those effects used an emphasis circuit to recover treble and highs after they went through the BBD or other analog delay lines. We took that circuit and made it into a full fledged tone control! We have found that it is the perfect way to gently add back in those highs lost in the compression process.
The Blend Control is a way of getting the peaks to come through while having sustain at the same time. So if you want sustain more than peak-limiting, this style of Manhattan Compression is for you! Keep all the peaks and transients with the Blend and Tone Controls while adding sustain on the back end. Heaven!
This compressor isn’t just for heavy funk or chicken pickin’ anymore. The new Compressor Plus is for players wanting a smooth, subtle wash from their guitar. Remove just the right amount of peaks for an ambient layer and then blend in the right amount of treble for a nice shimmer to your guitar. Use with your favorite fuzz to create a wall of tone like you’ve only heard on records. Looping has never been easier than with this compressor. Consider it an essential tool when creating loops that sound well-balanced. Forget it all and use the Compressor Plus for the best amp boost you’ve heard. Nothing pushes an amp better than the Keeley Compressor Plus.
The new Keeley Compressor Plus is the result of us specializing in compressors for over 15 years. Chief Engineer and founder Robert Keeley said, “Compression was the first effect I found that was hard to make sound good off the shelf, so I set out to create the best sounding compression effect possible.” We have it down to a science but still treat it like art. Since it is at the core of what we do, we can offer it for an incredible price now. The Keeley Compressor Plus is completely made in the United States. Come by our shop and watch the magic happen. We didn’t just start making compressors to look good alongside co-branded coffee mugs and shirts and hats. We’ve worked with and listened to the pros who have had the the original compressor on their boards for 10 to 15 years and found out what it would take to keep it on their boards for another 10, 20, or 30 years…. Add the Compressor Plus to your rig, you and your guitar will be singing for days
Samtals m/vsk
32.990 kr.
OBN Endeavors Express. Slider
The Old Blood Noise Endeavors Expression Slider is a fader for use with any pedal that has an Old Blood style expression input (see details below). Simply use a TRS cable to plug the Expression Slider into the Expression input and use the slider as you would a knob or expression pedal. Suggested uses: strap it to your mic stand to adjust your favorite setting without bending down, keep it at your studio console to control a parameter while tracking, use the indicators to mark your favorite settings, or simply replace a knob control with a slider because let's face it: sliders are cool. Unsuggested uses: Unintended excess weight from use with foot while standing may cause damage to the device. Read: Don’t use your foot.
Samtals m/vsk
9.590 kr.
Meris Polymoon
Tidal soundscapes and super-modulated repeat trails will lead to new inspiration with every note you play. Guitar, synthesizer or any instrument will take on new shapes and forms with the Polymoon’s massive algorithmic flow.
Samtals m/vsk
68.990 kr.
Keeley Fuzz Bender
The Keeley Fuzz Bender is a 5 knob – 3 transistor modern fuzz using a combination of high-gain silicon and silky smooth germanium. What makes fuzz better? Active EQ. Using two gyrators as an active EQ gives you the ability to create massive fuzz tones not possible with typical square-wave boxes. Pummel your amp with over 20dB of boost/cut at 100Hz and 10K Hz. The Fuzz Bender is built around vintage Japanese germanium to create its monumental fuzz tones. With the all new Bias Control, you control the attack and decay of your notes. Anything from Fat Square Waves to Angular Fuzz to glitchy-Velcro attacks are possible with the Bias Control. The Fuzz Bender’s five knobs confirm size matters when creating a new and epic world of fuzz.
Samtals m/vsk
31.990 kr.
Keeley Caverns Delay/Reverb V2
The Caverns Delay Reverb V2 dual-effect pedal combines delay and reverb for the perfect end to any pedal board. It features Keeley’s analog-style tape delay with modulation options. The 650ms of warm delay combine with Spring, Shimmer or Modulated Reverb. Caverns now comes with a True-Bypass or Trails option. Because of its small and compact design, the New Caverns is a perfect fit for any fly-rig or small board where you have tight space requirements. The New V2 features Keeley’s most popular time-based effects, blended perfectly via a design fine-tuned for over 2 years. Simply put, it will be an amazing addition to any board.
Samtals m/vsk
43.990 kr.
Cioks Stack Flex 1 50cm
By using two isolated outlets the Stack Flex gives you the sum of voltages of the two outlets used. Stack Flex type 1 is fitted with a black 5,5/2,1mm centre negative DC plug also called the BOSS standard at the pedal end. Type 4 is with a green 5,5/2,5mm centre positive DC plug and mainly seen on older EHX pedals for 24V or 40V.
Samtals m/vsk
790 kr.
