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Effekta pedalar
SolidGoldFX EM-III
Welcome to the new SolidGoldFX EM-III Multi-Head Octave Echo; the smallest, most powerful and by far the most versatile SolidGoldFX delay pedal to date.
Building on SGFX’s Electroman Delay legacy, the EM-III manages to both echo the past, present and future. With EM-III’s wide-ranging yet ultra-intuitive control set, placing warm analog-voiced echoes, precise and modern delays, as well as experimental and futuristic sound designs, are all just a single stomp away.
Main Features List
Multi-Head Tape Delay pedal, with Octave and Modulation
70 to 1000 milliseconds delay time with Tap Tempo
Color Knob - for crisp and bright tape echo to murky lo-fi analog repeats
Warp feature - for instant self-oscillation Wall-of-Sound Swells
Glitch feature - replicates snapping tape sounds
Switchable True Bypass/ Buffered Trails modes
Top-mounted jacks - for ease of pedalboard mounting
Hand-made in Montreal, Canada
Powered by a regular 9V DC PSU
(centre -, 2,1 mm, ~70 mA current draw)
At your feet (or fingers) you have a multi-head tape style echo, with the ability to add in a signal an octave lower to the primary delay head. This can result in dancing, rhythmic delays with body and gravitas, as well as bold washy soundscapes. These two core features are controlled via a single mini-toggle. Flick it left to select between 1, 2 or 3 delay heads or flick it right to toggle the octave effect on and off. From there, just set your Delay Level, Repeats and Time via the knobs or tap in your preferred tempo via the soft-click tap tempo switch and let the good echo times roll.
The EM-III also sports delay modulation introduced via the Flutter control. Keep it at center position for no modulation. Dial it left for a slow and dreamy chorus-like modulation or right for a faster vibrato, letting you create lush oceanic movement, tape-style crinkles, eerie tension and beautiful dissonance.
The color knob allows you to engage both high-pass and low-pass filtering. Dead-center you have a pristine full-frequency digital delay. Dial it to the left and you cut the highs, creating warm, murky analog-esque repeats. Dial it to the right and you suck out the lows for crisp and bright tape-style repeats or super thin lo-fi delays.
The EM-III also brings interactive warp and glitch features to the tonal table by pressing and holding either Tap, Bypass or both at the same time. Hold Tap to increase the repeats until self-oscillation, creating a swelling wall of sound. Hold Bypass to replicate the sound of a tape motor on the fritz and a tape reel snapping, or hold both for glorious noise seances that will act as the perfect song/set closer.
Additional features include soft-touch, relay based, true bypass switching with the option of buffered trails, top jacks and up to a full second of delay time.
The EM-III is designed to inspire and evoke emotion. It can sound as pretty and cheerful or as dark and macabre as you wish. We invite you to tune up, plug in and immerse yourself in the EM-III experience.
Samtals m/vsk
37.990 kr.
Revv G2 Drive
The plan from the start with G-Series pedals was to recreate the tone of our amplifiers. The Revv G2 was the final piece of that puzzle… but it turned into so much more! My goal was to make our most realistic & inspiring pedal to date. That actually came pretty quickly – a great representation of our touch-sensitive crunchy green channel! However, I sent it to one of our Nashville artists. He had great feedback totally unrelated to our green channel. Rather, how to simply make the best pedal possible for this application with maximum versatility as an “amp in a box.” Then one of our employees said it would be cool if the G2 could be used as a boost as well… With these new goals in mind, the G2 quickly became an entirely new animal. Very transparent at low settings – capable of livening up your clean tone, tightening a high gain sound, or boosting your tone into a creamy lead. Then, our sweet & dynamic green channel with powerful EQ to pair to your amp. Finally, a full but still very chimey distortion tone. This was our most important design yet. The Revv G2 not only completes our vision for a modular rig solution, but has pushed us into new sonic territory we’re already seeing in new genres of music worldwide.
-Dan Trudeau, President & Head Designer Revv Amplification Inc
REVV G2 FEATURES
Revv G2 overdrive pedal with voicing based on Revv Amplification’s “Green Channel” from Generator amplifiers
Clear, dynamic, amp-like tone
Used by premier session guitarists worldwide
Demos from Pete Thorn, Rabea Massaad, and R.J. Ronquillo.
3 band EQ, 3 drive modes, volume, & gain
9v center negative tip (external power supply only)
Easy to dial – get good tone quickly
Blue LED for status confirmation
Reflective green, laser-etched, powder coated chassis
Optimized for analog, digital, & hybrid rigs
Top-mounted jacks
Built to last – 1 year warranty. Durable, tested construction
Samtals m/vsk
37.990 kr.
Nobels ODR-1BC Overdrive
Over the decades key artists such as Jerry Donahue, Guthrie Trapp, Carl Verheyen, John Shanks, Tim Pierce, Robbie McIntosh, Clem Clempson, Micky Moody and countless other amazing players have made the ODR-1 Natural Overdrive part of their sonic arsenal. While all single coil guitarists as well as most humbucker users and even bassists love the clarity and versatility of the full sound of the ODR-1 some heavy humbucker players asked for the chance to reduce the sub-bass end.
UNDER THE HOOD….
The new ODR-1(bc) now offers a bass-cut switch under the battery cover to preset original ODR-1 sound or to preset slightly reduced sub-bass.
Operation now is possible from 9V – 18V DC for more headroom, if you want it. The pointers on the knobs now are GitD Glow-in-the-Dark.The ODR-1 has proved to be a favourite with pros, especially session players, as it works so effectively with guitars’ volume controls for on-the-fly tonal changes in songs. The pedal’s wide range is controlled by a SPECTRUM control tone pot. Turning the knob clockwise increases the bass and treble at the same time. Midrange stays untouched in either direction to offer transparency with a pinch of warmth.
FACTS:
Analog Natural Overdrive Pedal
Bass Cut feature – helps to tame the low end
Accepts 18 V power – allows for additional headroom
Glow-in-the-Dark Knobs
Remote input jack – allows the pedal to be switched on/ off remotely (tempoary)
Controls: Drive, SPECTRUM and Level
Buffered Bypass
Solid metal housing
Low current consumption
Overhead battery compartment – allows for quick battery changes
Includes. 4x Mounty-P Mounting Plates preinstalled
Powered by 9 -18 V DC PSU* or PP3 9V Battery (9 V DC, centre -, 2.1 mm, ~11 mA current draw)
Samtals m/vsk
16.990 kr.
KMA Machines Logan
Logan’s gain structure is carefully balanced for an open and super touch-responsive drive tone, giving you and your instrument ample room to be expressive. You could describe its sound as smooth and harmonically rich, but that would be selling it short. There’s a true fire raging under the embers here, one that allows you add more hair, grit and sizzling depth as you pile on the gain, making Logan fit for anything from clean boost, amp-like breakup, indie clang to full-on rock machine.
It also sports an impressively high-headroom-design (up to 25 dB), enabling you to use Logan as a very versatile pre-amp too - all of you amp-less/cab-sim players can thank us later.
But what truly pushes Logan over the edge is its 3-band active EQ. The Bass and Treble EQ knobs are able to both boost or cut your signal by around 15 dB. This enables you to beef up thin-sounding single coils, add some chime to chunky humbuckers or get rid of boomy bass frequencies, when changing from a sweet 2x12 to a fat 4x12 cabinet. In addition, the tonal flexibility is even further extended by Logan’s fully parametric Mid-EQ section, where the MID control lets you set your preferred mid frequency between 100 Hz to 2.5 kHz, while the CUT/BOOST control lets you cut or boost the selected frequency by up to 12 dB.But the frequency fest doesn’t stop there. Logan even sports a dedicated footswitch to activate or deactivate the Mid-EQ and a position-switch which lets you place it either before the main gain-stage (PRE) or after it (POST), opening up a whole world of tonal possibilities. Place the Mid-EQ post-gain to give yourself a level boost for solos or place it pre-gain to saturate your preferred frequency even more, effectively giving you a second gain-stage.Then there’s the kicker! You can take complete hands-free control of the Mid-EQ Frequency via a regular expression-pedal. This lets you make instant tone changes on the fly, as well as unleash everything from fast and quacky wah-like sounds to slow and enveloping phasery filter sweeps.You’d think the feature-well would have run dry by now, but no, there’s even more cool sonic secrets under the hood.The pedal has been set at the factory to sound stellar right out of the box, however some people might want to tweak some more options to taste. Via a hole in the base plate, you get direct access to an internal trim-pot to set the bandwidth (Q) of the Mid-EQ. Turn it counter-clockwise for a broad bandwidth, for smooth frequency sweeps or turn it completely clockwise for really resonant sounds. Removing the base plate will reveal a second trim-pot, which enables you to blend in your clean signal with the overdriven tone, making Logan transcend the world of guitar. Bass? Drums? Synths? Vocals? Bring it on! This pedal will handle it all.Logan really is an all-in-one overdrive solution and trust us, once you plug in you’ll never want to turn it off again!
Powered by an optional standard 9V DC (max.) PSU (negative center, 2.1mm, approx. 30mA current draw)
Every pedal is designed, assembled, silkscreened, tested and numbered by hand in our small workshop. We use external manufactured PCBs to guarantee our high quality standard and keep the price of our pedals reasonable. The use of an indestructible powdercoated die-cast enclosure ensures a maximum durability.
Samtals m/vsk
33.990 kr.
Keeley Synth-1
The Synth-1 allows you to create fuzzed-out synth waves! Use the Filter and Blend controls to mix your guitar with the fuzz from the synth. Go from churning slow-gear reverse swells to sounding like a light saber.
The Keeley Synth-1 is a guitar-triggered, single-note wave generator. You control the tone of the wave with the Filter Control. The lead-in time or swell of the note is controlled with the Attack knob. Then use the Blend control to remove the natural tone from your guitar as you slide through synth-sounding fuzz waves. Use an expression pedal to control the Filter, and now you have Wah-Wah-like control of the Synth-1.
Synth Wave Generator – Create fuzzed-out, single note synth sounds
Reverse Attack – Volume Swell Effect – put your guitar in slow gear!
Chaos Switch – change dimensional triggering and octaves and stuff
Filter – shape the EQ and tone of your fuzz wave
Wave Selector – change wave modes on the fly with your foot!
Control the Blend of your natural guitar and the wave generator
Side Mount Expression Jack for TRS control of the Filter
Top Mounted Jacks, True-Bypass
Designed and Made in the USA
Samtals m/vsk
37.990 kr.
OBN Endeavors Alpha Haunt 21
Two years since its initial release, Alpha Haunt Fuzz gets a makeover. The pedal explores the vast variety of sounds you can coax from one fuzz circuit, from open overdrives to squashed sputters. Now in a more pedalboard-friendly package, the Alpha Haunt continues to offer users its uniquely versatile control set.
Samtals m/vsk
38.990 kr.
Meris Enzo
A multi-voice synthesizer that will track your guitar for tight monosynth leads, complex chord polyphony, or multi-note sequenced arpeggiation. All without any special pickup installation. Just put it on your board and discover your own reality. The Enzo isn’t limited to guitar; use it on any instrument whether drum machine, vocals or other synths. Completely transform your input signal and synthesize. Use the full synth palette of multimode analog style synth filters, ring modulation, envelopes and much much more to drive punchy, thick synth textures. Or, explore an altered state of your pure instrument signal by transforming it with pitch, time and modulation effects. Plug in to a revelation generator.
Samtals m/vsk
69.990 kr.
Keeley Fuzz Bender
The Keeley Fuzz Bender is a 5 knob – 3 transistor modern fuzz using a combination of high-gain silicon and silky smooth germanium. What makes fuzz better? Active EQ. Using two gyrators as an active EQ gives you the ability to create massive fuzz tones not possible with typical square-wave boxes. Pummel your amp with over 20dB of boost/cut at 100Hz and 10K Hz. The Fuzz Bender is built around vintage Japanese germanium to create its monumental fuzz tones. With the all new Bias Control, you control the attack and decay of your notes. Anything from Fat Square Waves to Angular Fuzz to glitchy-Velcro attacks are possible with the Bias Control. The Fuzz Bender’s five knobs confirm size matters when creating a new and epic world of fuzz.
Samtals m/vsk
31.990 kr.
Keeley Dark Side
We should all be so lucky as to be identified by the sound of a single note. Some players are so well defined that their entire musical journey can be heard in a single note they play. Tone is in the fingers. Tone is in the mind. Effects can be a great way of expressing emotions or creating textures. The Dark Side is about creating sounds and adding new tones to your symphony. It’s the things you can’t create with your fingers or mind. It’s metasymphonic. The Dark Side provides all the textures that define an essence, in one pedal.
Samtals m/vsk
65.990 kr.
Cioks DC7 Professional PSU
The groundbreaking DC7 has a one-inch (25,4mm) profile and weighs 1.1 pound (500 grams) thanks to the pure 2-stage switch-mode technology inside. The profile may be low but the power ratings are certainly not – the DC7 puts out a maximum of 48W and allows the user to connect multiple high-current effects such as devices from Effectrode, Line 6 and Eventide without noise of any kind.
Samtals m/vsk
40.990 kr.
Cioks DC10 Professional PSU
DC10 is a professional multi-output power supply for effect pedals. It has 10 regulated and well-filtered DC outlets configured in 8 isolated sections. With a total of 1.600mA it’s a perfect solution for bigger rigs with pedals only using a DC power source. Its three powerful sections with 400mA each will power pedals with special requirements like Strymons, Eventides, TC Electronic Nova-series pedals or TC Helicon pedals, Moogerfoogers, Radial Tonebone pedals or others without the need of special cables. Selectable with a switch DC10 offers voltages 9, 12 and 15V, and combined with the included Stack Flex or Series adapter Flex also 18 and 24V. The first 4 isolated outlets offering 4x100mA are perfect for standard 9V low current pedals.
Samtals m/vsk
36.990 kr.
Cioks DC10 Link Pro PSU
This is one state of the art professional power supply for effect pedals. It delivers 2.800mA of the cleanest power from its 10 isolated outlets with 9 and 12V available. Besides being one of the most powerful power supplies for effect pedals on the market it also offers some new advanced features. The adjustable outlet 10 will power pedals with non standard voltages like e.g. Tonebones at 15V, Blackstar dirt pedals at 22V, GLAB GSC-4 controller at 24V, all high current 18V pedals from Hiwatt, a few vintage EHX and many others. Due to its very high 800mA current capability at 9 or 12V you can with this single outlet power one of the big units like Line 6 M9, a VOX ToneLab or some older BOSS GT-XX Processors just to mention a few.
Samtals m/vsk
46.990 kr.
Cioks Ciokolate Pro PSU
CIOKS was founded in year 1991 and the first product out was the Baby power supply. It was released for sale in August 1992. To mark our 20th anniversary we’ve made one of most powerful and versatile power supplies for effect pedals on the market – CIOKS CIOKOLATE.
With some additions and a slightly different design we’ve put the DC10 and AC10 power supplies in one box. Loads of power, almost endless compositions of different voltages and a great selection of included Flex cables make this power supply a really strong tool for powering big pedal boards with many different pedals.
CIOKS CIOKOLATE power supply will power several high current digital pedals, high voltage 18, 24 or even 40V pedals, one or two AC pedals, one or two Radial Tonebone pedals or simulating a dying battery it will power your old favourite fuzz or overdrive. On top of all that it will of course also power all your standard 9V pedals from its many isolated outlets.
Samtals m/vsk
58.990 kr.
*Cioks 4 Adapter kit Pro PSU
CIOKS 4 is the perfect companion for CIOKS DC7 in case you would like four additional outlets with four selectable voltages (9, 12, 15 and 18V DC) which can each deliver 660mA at 9V DC.
Samtals m/vsk
27.990 kr.
Line6 Pod Go Shoulder Bag
Samtals m/vsk
15.990 kr.
Line6 HX Stomp XL
The HX Stomp XL is an expanded version of Line 6's best-selling HX Stomp amp and effects processor. Boasting 8 capacitative-touch footswitches rather than just 3, this tactile "super stompbox" offers greater real-time control than the standard unit yet still maintains a compact, pedalboard-friendly form-factor (smaller than two HX Stomps) — making it practical for any performing or recording scenario!
Samtals m/vsk
165.990 kr.
Fender Tread-Light Exp/Volume
Express yourself! Fender’s Tread-Light™ Volume/Expression Pedal helps you control your stage volume for enhanced dynamic performance and also acts as an expression pedal for use with other effects pedals and keyboards. Its special under-treadle LED provides easy visibility onstage under any light, and its durable chassis and treadle are crafted from lightweight anodized aluminum, with a rubberized pad ideal for the rigors of live performance. The switchable LED indicates when the pedal is active and ready for use.
Samtals m/vsk
22.990 kr.
Boss CH-1 Chorus
The CH-1 Super Chorus pedal delivers a clean classic chorus sound with crystal-clear highs and a unique stereo effect, variable between left and right speakers.
Samtals m/vsk
19.990 kr.
Boss DS-1 Distortion Pedal
The DS-1 Distortion is a true icon in the world of guitar effects. Introduced in 1978, BOSS’s first distortion pedal defined a bold new sound, delivering hard-edged attack and smooth sustain that’s been a staple of players for generations. The DS-1 is the top-selling BOSS compact pedal ever, and its original, unchanged design continues to inspire the creation of great music everywhere. The classic DS-1 tone is behind the signature sounds of numerous rock legends, and is ready to fuel your own signature sound today.
Samtals m/vsk
12.990 kr.
TC Polytune 3 Mini tuner
Carrying on the POLYTUNE legacy, POLYTUNE 3 MINI packs an unprecedented amount of tuning power into a tiny footprint without sacrificing essential features, such as always-on mode and our audiophile BONAFIDE BUFFER circuit for uncompromised tones – making it ideal for fully-loaded pedal boards where every inch counts!
Samtals m/vsk
19.990 kr.