The HX Stomp XL is an expanded version of Line 6's best-selling HX Stomp amp and effects processor. Boasting 8 capacitative-touch footswitches rather than just 3, this tactile "super stompbox" offers greater real-time control than the standard unit yet still maintains a compact, pedalboard-friendly form-factor (smaller than two HX Stomps) — making it practical for any performing or recording scenario!

Don’t step onstage without the Ernie Ball Volt Power Supply. For musicians on the move, this ultra-compact, road-ready unit puts a complete powering solution in the palm of your hand. Connect all your favorite digital and analog pedals to multiple high current DC outputs for clean, regulated power. Relax and rely on thermally protected, short circuit-proof design with ultra-low noise operation. When the road calls, the Volt demands a place on your pedalboard.

GO DIRECT, KEEP IT ANALOG

3 classic PREAMP, full featured POWERAMP simulator + Stereo CABSIM

The Ultimate Bass Platform

The new DSM & Humboldt SIMPLIFIER BASS STATION is everything you ever needed to go direct to the FOH or recording amazing bass tones without sacrificing anything.  It includes a Bass Preamp with gain, level, and a 3 band EQ with semi-parametric mid control. A parallel signal routing with a selectable LPF, dual FX loop (for preamp and parallel signal), and an amazing analog cabinet simulation, based on the acclaimed Omnicabsim ® by DSM Noisemaker.

Ashdown Sub-harmonic Generator býr til auka áttund undir því sem þú ert að gera. Meiri bassi = meira stuð. Segir sig eiginlega sjálft.

Ashdown retro bass drive bjögunarfetill.

Not able to see your wah pedal in the dark? Don’t cry about it. Fender’s Tread-Light™ Wah Pedal contains a unique, switchable under treadle LED that allows for ease of visibility on stage under any light. It features adjustable treble and a three-way top mounted mid-frequency toggle for a variety of tonal options. The internal buffer can be switched to a buffered or classic wah effect.

Designed by Fender’s in-house team of experts, the Tread-Light™ Wah Pedal is an all-original Fender circuit. The stage-ready chassis and treadle are crafted from lightweight, durable anodized aluminum, with a wooden pad designed for the rigors of live performance. The switchable LED indicates when the pedal is active and ready for use.

The BOSS RC-1 is our simplest and most user-friendly Loop Station ever, and it’s a ton of fun! Since the RC-20 Loop Station was first released in 2001, BOSS has led the way by continually releasing new looping products. Though they’ve been used and enjoyed by various looping artists and performers, BOSS still pursued an easier and more affordable solution. The RC-1 is a straightforward looper that is easy to operate. Experience the fun of looping when you record, playback, overdub, and undo or redo loops using this compact BOSS stompbox. And of course, the RC-1 retains the BOSS quality and performance that musicians around the world have come to expect and rely on.

The DS-1 Distortion is a true icon in the world of guitar effects. Introduced in 1978, BOSS’s first distortion pedal defined a bold new sound, delivering hard-edged attack and smooth sustain that’s been a staple of players for generations. The DS-1 is the top-selling BOSS compact pedal ever, and its original, unchanged design continues to inspire the creation of great music everywhere. The classic DS-1 tone is behind the signature sounds of numerous rock legends, and is ready to fuel your own signature sound today.

This return of the tremolo effect to the MXR line combines a full historical range of masterfully tuned tremolo styles with a host of features to satisfy the performance needs of today’s discerning players.

The MXR FOD Drive recreates the experience of blending the overdriven sounds of two highly coveted amp stacks right from your pedalboard.

Part of the MINI pedal family, the Flanger MINI is modelled after a vintage flanger sound and delivers pro-quality tones in a convenient, compact box. Made in Japan, the FLMINI features a three-knob controls layout consisting of Depth, Regen, and Speed. A true bypass switch provides the shortest, most direct signal path as well as the cleanest tone. The 100% analog circuitry offers amazingly natural-sounding tones and affords players a classic, warm, and full-sounding flanger that won't take up excess space on your pedalboard!

The ES3 Echo Shifter is equipped with both analog and digital delay modes. The analog setting provides a warm, natural tone with delay times between 40ms and 600ms, and unlike other digital pedals which simply simulate analog delay, the ES3 is actually equipped with analog circuitry. The digital mode offers longer delay times all the way up to 1500ms. The pedal also includes a new modulation speed control which offers increased options to tailor the effect to the player's unique preferences. Unlike the ES2, where the Oscillation function needed to be engaged by hand using a mini toggle switch, this same function can be engaged simply by stepping on and holding the right footswitch. This allows for quickly changing the quality and texture of the delay mid-performance. The pedal carries over the fader delay time control, delay tap switch, as well as oscillation and modulation modes from the ES2. The combined result of these upgrades is a more usable pedal with greater tonal versatility and enhanced musical potential.

Add some crunch to your low end with the Trapper Bass Distortion. Featuring two separate and stackable distortion circuits, this pedal was designed specifically to fit the tonal needs of electric bass players. The main distortion channel features a crossover-blend circuit to preserve clean low frequency information for clarity and punch while an additional ‘solo’ distortion channel provides added gain and crunch. The Frequency and Sub Level controls allow you to dial in the fundamental tone.

Fender and Reverb – name a more iconic musical duo. Fender’s Dual Marine Layer allows you to add even more dimension to your sonic arsenal. Featuring two independent footswitchable settings, three unique reverb algorithms allow the user to create multiple soundscapes. The sustain switch generates massive atmospheric creations for an out-of-this-world tonal experience.

The seventies were an amazing time, as bell-bottoms, chains and afros dominated the fashion scene and the swoosh and swirl of phaser effects were everywhere on the radio. From the guitar work of David Gilmour, Brian May and Eddie Van Halen to the trail-blazing keyboard stylings of Steely Dan, Herbie Hancock and Paul Simon’s Richard Tee, it seemed like everyone was incorporating phasers into their sound.

WH10 series has remained a highly popular wah pedal through the years due to its many unique features. The guitar/bass range switch enables switching between two preset frequency ranges best suited for each instrument. This is also the first wah pedal to utilize a multiple feedback opamp circuit, creating a much different tonal quality versus more common inductor based wahs. There is also a volume boost for additional flexibility. The WH10V3 features selectable true or buffered bypass, and circuitry is housed in a highly-durable, die-cast Aluminum alloy body with a distinctive black finish.