TonePrint fetlaborð með öllum uppáhalds effektunum þínum og 5 MASH fótrofum.

Bakpoki fyrir Headrush pedalborð eða Headrush gigboard

It’s tough to add overdrive to acoustic guitars—not only can it sound un-musical, it can also cause tone-destroying feedback. Designed specifically for use with acoustic instruments, the all-analog Smolder® Acoustic Overdrive elegantly solves these issues with Fender know-how. To soften the bright attack of a piezo pickup we included a Pickup Compensation control that smooths out the highs. The Drive knob controls the amount of distortion, while 3-band EQ and Filter controls let you shape your sound to taste. We even included cabinet simulation to add some flavor when plugged into a full-range acoustic amp or PA.

The Ampeg Scrambler Bass Overdrive pedal infuses your sound with authentic Ampeg grit, grind and sag. Dial in a huge range of overdrive from subtle to screaming. Add in a touch of highs, then blend in with your dry signal to create the perfect tone. It’s pure analog Ampeg overdrive that’s super affordable.

Now in a Way Huge Smalls housing, the Pork & Pickle Bass Overdrive & Fuzz serves up a perfectly balanced diet of gnarly tones for bass players who like to get down and dirty.

Few things are as satisfying as the real-deal distortion sound of glowing glass—vacuum tubes are responsible for the tones you fell in love with. MTG: LA® is a tube distortion pedal based around a genuine, U.S.-made NOS 6205 preamp tube. Tone, Bass, Treble and Tight controls make it easy to shape your sound, while the distinctly Fender footswitchable Boost adds Volume, Gain or both to make your solos stand out.

RockBoard Power Ace 25 - Multi-Regional 9V DC, 2 500 mA Power Adapter

We have reissued the original Version 1 Big Muff and it’s dripping with vintage Electro-Harmonix DNA and tone. Dubbed the Triangle Big Muff because of the layout of its Volume, Sustain and Tone controls, this is the one that started it all. The new Triangle Big Muff is a faithful re-creation of the original circa 1969 circuit now housed in a pedalboard friendly, die-cast chassis.

The RockBoard RBO Power LT XL is a rechargeable power station for effects pedals, independent from the wall outlet. No more worrying about your 9V batteries dying mid song. You can also forget about searching for a wall outlet on stage to power your pedal board. The RockBoard RBO Power LT XL is equipped with powerful and long-lasting, rechargeable lithium-ion batteries, to supply effects pedals up to approx. 50 hours or more with hum free 9V DC current. Recharge time for the unit is approximately 7 hours.

RockBoard Power Ace, 9V DC 1.7A Power Adapter

The updated 2019 RockBoard® pedalboard series is based on the innovations of our completely re-designed 2018 Series and incorporates a lot of added features, based on suggestions from musicians all around the world. The ingenious, lightweight, rigid and rugged construction, based on only one sheet of cold-rolled aluminum and U-shaped vertical support braces for additional stability, as well as the innovative slot-based design lets you hide cables easily for a neat and tidy design, all stay the same. Added and improved features include an additional mini board size - the New RockBoard® DUO 2.0, an extended slot grid for perfect fit of our new optional QuickMount plates, added mounting positions for the Optional RockBoard® The Tray - Universal Power Supply Mounting Solution (QUAD 4.2, CINQUE 5.2, 5.3 and 5.4), second MOD mounting slots for RockBoard® CINQUE 5.3 and 5.4, lighter ABS pedalboard cases and improve pedalboard bags.

The RockBoard MOD 5 is packed with features like cab simulation and direct out for consistent tone each night, and a headphone out for silent practice.

The Carbon Copy Mini Analog Delay packs organic analog warmth, shimmery modulation, and ease of use into an MXR mini housing with a Bright switch for additional sonic versatility so that you can make the most out of your pedalboard real estate.

In celebration of the 25th anniversary of Green Day’s groundbreaking album Dookie, this pedal captures the dirty yet articulate sound Billie Joe Armstrong used on that record, combining the sounds of two modded amplifiers into a single stomp box for a harmonic range full of depth and dimension.